Posted inArts + Scene

Alone Together

HIS THREE DAUGHTERS. Deep into the third act of writer-director Azazel Jacobs’ (French Exit, 2020; Terri, 2011) latest, a dying man’s thoughts on obituary are paraphrased by one of his titular daughters. To further paraphrase, a description of the departed’s life can only fail to convey the totality of that life and its end; only […]

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Journeys of the Self

MEGALOPOLIS. For a person who (still) uses Apocalypse Now (1979) to self-soothe, a new Francis Ford Coppola movie is kind of a big deal, no argument. The excitement of that prospect was and is tempered by several factors, though. First, there is the notion that the filmmaker in question has been busier with his wine […]

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Rebel Ridge Lands a Punch

REBEL RIDGE. It may seem silly or outmoded to continue to subscribe to the auteur theory. It is, after all, a 70-ish-year-old French construct whereby a bunch of critics who wanted to make movies could attribute the success or failure of a project to a person’s singular vision; seems almost quaintly mid-century, almost without the […]

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Red Flags and Surprises

STRANGE DARLING. That a movie like this (not that I can say I’ve ever seen one) should exist, much less be available in theaters in a remote little outpost like ours, speaks to something promising in the business of American movies. Pardon the optimism. I’ve joined my voice to the chorus of lamentation about the […]

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New Movies of a Bygone Era

CUCKOO. Even from its opening frames, this struck me as the kind of living relic that will (or should) reward some horror nerd, years from now, who discovers it without foreknowledge or judgment. Which is an admittedly reductive way to address a movie that in real time yields its own rewards, conflicting though they might […]

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