BACKROOMS. In order to talk about Backrooms (2026), A24’s newest psychological horror directed by breakout filmmaker Kane Parsons and based off his cult YouTube series, it is important to take a few steps back to look at the veryinternet-based origins of this film’s unsettling landscape. The film’s endless mono-yellow passages and torturous fluorescent light invoking […]
Screens
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Folk Horror Summer
PASSENGER. Sunken in our seats after the now usual set of car commercials that precede the previews, the trailer for Passenger was a welcome jolt. A likely pair of dudes pull over on a dark backroad for a potty break that escalates to creepy disappearance, sudden shock, gore, specter-sighting and a cracking jump scare. It boded […]
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The Limits of Imitation
IN THE GREY. Guy Ritchie has, for almost 30 years now, traded on his charming, distinctly British brand of cleverness as heavily as anybody in the movie business. In the early days — Lock, Stock and Two Smoking Barrels (1998), Snatch (2000) — when so many of us were caught up so willingly in the […]
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‘Outcome’ and ‘Apex’ Almost Summit
OUTCOME. Jonah Hill’s second scripted feature — following Mid90s (2018), the documentary Stutz (2022) and number of music videos and episodes of television — might be seen as a response to the erosion of his public image after the leaking of some controlling, sexist text messages to his former girlfriend. Obviously, I can’t say that […]
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‘Michael’ is Bad
MICHAEL struggles to be genuine amid the soaring vocals and thrilling moves of a rising Jackson. Action director Antoine Fuqua, best known for the critically acclaimed crime thriller Training Day, turns a new leaf into the biopic genre as he attempts to tell a story about a brief time in the life of Michael Jackson. […]
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Beneath the Surface
NORMAL boasts more than enough bona fides to excite a certain kind of audience (me): a script by creator of John Wick (2014) Derek Kolstad, again collaborating with star Bob Odenkirk (Nobody, 2021); Ben Wheatley directing; the promise of small-town, Main Street gunplay. Any one of which should be sufficient to assure a good time […]
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‘The Drama’s’ Uncomfortable Romance
THE DRAMA. The immersive paranoid magical realism of Dream Scenario (2023) made it tempting to presume to know what to expect from writer/director/editor Kristoffer Borgli: another fantasia set against the vagaries of the modern world, defined by wild departures from that reality and underpinned by bleak, comic hysteria. To indulge that temptation would have been […]
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An Anti-Star Turn in ‘Mike & Nick & Nick & Alice’
MIKE & NICK & NICK & ALICE. Setting aside his questionable politics for the moment (which may be an understandably impossible task for much of the potential audience), Vince Vaughn remains one of the old-school Hollywood stars who seems to get the brief. And he’s one for whom, despite my own reservations, I continue to […]
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‘Undertone’ Underwhelms
UNDERTONE. In the photograph Mary Todd Lincoln sits laden in the heavy black garb of formal Victorian mourning, with only her round pale face and clasped hands visible. Behind her is the transparent form of her deceased husband, his spectral hands on her shoulders. This photograph was one of many staged by infamous “spirit photographer” […]
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Books in Space
Project Hail Mary PROJECT HAIL MARY. Loving books just as much as movies and credibly accused of being a formalist, I am generally skeptical of adaptations for the screen. I suppose I find works of literary creation something like sacrosanct and will always bristle at the notion that there aren’t enough original ideas being developed […]
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Some Good and Some Gold at the Oscars
Exigent circumstances prevented me from watching the majority of this year’s Academy Awards ceremony, an event to which I had (to my own surprise) been looking forward. In the decade since I actually sat through one, my enthusiasm for the movies has done anything but wane. I had to consider why this event should stir […]
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Stitched Together
The Bride! THE BRIDE! Conceptually, this seems very much like something I could get on board with: a mid-1930s Chicago-set, Mafia-tinged feminist update on the Frankenstein story, embellished with punk-rock attitude and curb-stomping? Yes, of course, who wouldn’t want that? And in the early going, it seemed like Maggie Gyllenhaal’s return to the director’s chair […]