WOLF MAN. Almost five years ago now, the new plague looming as the presumptive worst thing that could happen in the next however-long — were we ever so innocent? — the release of writer-director Leigh Whannell’s The Invisible Man prompted me to both lament the rather dismal roll-out of Universal’s ostensible monster series reboot (The […]
The Miniplex
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Den of Thieves 2 Drops Loot
DEN OF THIEVES 2: PANTERA. Even on those evenings when the seemingly endless expanse of streaming options is without appeal, a heist movie will reliably hit the spot. Variations on the plotting, execution and fallout of an elaborate theft all please in their turn: twisty confidence games for the puzzle minded; stylish capers with tuxedos […]
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Music Tonight: Wednesday, Jan. 15
Not much going on tonight, so I’ll take a brief moment to point out two changes to your regular Wednesday night options. Big Mood, the weekly queer dance party at the Miniplex, is no longer happening on hump day but will return on Jan. 24, where it will take up residency on the fourth Friday […]
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Shock and Irish
In a fitting end to a discomfiting year, my holidays were canceled in lieu of a protracted illness absent even the minor satisfaction of a diagnosis, or that glorious, wished-for but likely apocryphal fatigue and rest we sometimes associate with influenza. No, this was an unrelenting, tasteless sapping of strength and enthusiasm that, as it […]
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Nosferatu‘s Rebirth
NOSFERATU. Steeped as we are in vampire lore, it can be challenging to sort the origins from the iterations, source from echo. It’s possible this is because the definitive, canonical material is exceedingly limited, vivid enough in its construction — close enough to the truth? Who am I to say? — and so arrestingly simple […]
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Music Tonight: Saturday, Dec. 28
Here are two very different shows happening at roughly the same time, 9 p.m.-ish, and for more or less the same price. The Basement is featuring guitarist Greg Douglass, possibly most famous for his time with the Steve Miller Band, during which he co-wrote the hit Jungle Love. He’ll be sitting in with Grateful Dead-ites […]
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Deliberations
CONCLAVE. Having heretofore missed (or avoided) the latest from Edward Berger, a German director I had never heard of until his remake of All Quiet on the Western Front (2022) garnered massive critical and awards recognition, one might be inclined to pass over it all together. But then, in the spirit of the season, local […]
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Kraven Collapses, Carry-On Packs a Punch
KRAVEN THE HUNTER. Everybody makes mistakes, right? More than half the voters in this country did but that’s a topic for another conversation (screed, ugly cry, whichever one prefers). In this case, I made the optimistic error to set aside my widely disseminated opinions about Marvel movies (and yes, this is Marvel Studios, which is […]
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Music Tonight: Saturday, Dec. 14
The Miniplex is putting on the kind of gig it does best, with cosmic folk musician Julie Beth Napolin, who will be joined by local heroes Ethan Miller of Howlin’ Rain and Comets on Fire fame, and Anthony Taibi, a sound maker, breaker and recorder who has been in too many amazing psyche projects to […]
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Subservience Fails at Fun
SUBSERVIENCE. I want to be a better person but I evidently don’t want it enough to scroll past the schlockier movies and series cranked out by streaming platforms as Gladiator II and Wicked pull in everyone willing to leave the house. And yes, if a domestic horror/thriller or a creepy AI robot movie pops up, […]
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The Grand Escape of Emilia Peréz
EMILIA PERÉZ. Less is often more when it comes to foreknowledge. Take, for example, the precious little I knew about this film, the latest from revered French auteur Jacques Audiard. Even as far from the epicenter of the nerdosphere as I orbit, it has been difficult not to be at least somewhat aware of the […]
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Blitz Strikes its Mark
BLITZ. The screen acting of children, like their writing, can and often does transcend inexperience with immediacy and truth. Not yet calloused by influence, uninformed by professional habit or tricks or laziness, these performances lie closer to the surface than for most of their adult counterparts and can, given appropriate direction, create something realer and […]