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Predators and Survival

PRIMETIME.In the early 21st century, there was a weird man who created a weird show. He was/is Chris Hansen, and the show was To Catch a Predator, an ethically dubious hidden-camera entrapment program ostensibly designed to apprehend pedophiles but also, as we learn from this fictionalized account, to beat Lost in the Nielsens. The prickly […]

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Reckless Freaks

I WANT YOUR SEX. The milieu of contemporary “fine” art, pinioned as it is to its own ironic self-importance, has always been ripe for satire, with cinema as appropriate a vehicle for it as any. Going back to the olden days of the mid-20th century, when movies were splintering into factions and movements, the outsider […]

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Explode, Don’t Tell

FUZE. Given the death of concise action-oriented picture-stories currently on offer, the promise of such a thing, particularly with movie stars in the cast and a reliable director in charge, is even more compelling than it once was. Factoring in the presence of explosives and a daring heist in the middle of a major metropolitan […]

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‘Idiots’ and ‘Buddy’

IDIOTS. The promise of an R-rated, “gross-out” comedy, especially one anointed for theatrical release, is especially tempting (if equally risky) in an era of corporate trepidation and hobbled creativity. What was once a proven, often overly relied-on subgenre has become risky, a niche proposition unlikely to yield the sort of box-office windfall upon which studios […]

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You Might Go Home Again

GAIL DAUGHTRY AND THE CELEBRITY SEX PASS. Wet Hot American Summer (2001) is as much a tenet of my marriage as any of the shared values upon which it is founded. For a quarter century, it has been a source of solace, celebration and common ground unlike any other for my wife and I. It […]

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In On the Joke

THE DINK. Awash as we are in a new wave of underdog sports comedies, usually centered on has-beens or never-weres, it should come as no surprise that Pickleball should have shuffled into the crosshairs. The newfound passion of a generation, what was once a middle-school time-filler has become, in this age of idleness and catastrophe, […]

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Homecoming Surprises

THE INVITE was titillatingly teased (for what felt like years) as a sex comedy of manners, a will-they-or-won’t-they about two couples of a certain age circling each other in an apartment brought uncomfortably close by erotic tension. And while it certainly is that, one of the many pleasant surprises it holds — and a testament […]

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Schnabel’s Inferno

IN THE HAND OF DANTE. It can be reflexive — instinctive, even — when confronted with a grand-to-grandiose work, especially one that spans genres as quickly as it does centuries, to dismiss it as muddled, misguided or unaware of its own intentions. But this reaction dismisses the work’s substance, the meaning that compels the artist […]

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Micro Hustlers

In news that’s not really news, Jackass is quite old and the cinema branch of DC has issued a sputtering salvo in the pointless, unwinnable, poorly timed war with Marvel. In the case of the former, Jackass: Best and Last would appear to be a pragmatic coda, a sort of clip-show send-off from a group […]

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Master Classes

DISCLOSURE DAY. When I last wrote or even thought critically about Steven Spielberg (The Fabelmans, 2022), I recalled my adolescent resistance to his work, realizing in hindsight that my affinity for snark and edginess (it was the 1990s) had veiled my eyes, or at least inured me, to the integrity and mastery underpinning all of […]

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“Tow” Might Be Good for You

TOW. Is a judicial system, ostensibly built to protect the citizenry but susceptible to the manipulations of commerce and greed, inherently cynical? Possibly. Is a movie, replete with marketable stars, that explores an individual’s struggle against such a corruptible system, also cynical? Hopefully not. What about the critic who, in the face of such an […]

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