Posted inArts + Scene

Men on the Rebound

Reviews THE WAY BACK. A friend asked, after initially mistaking it for The Way Way Back (2013), if this is “that remake of Hoosiers.” It’s neither but fair enough for asking. The title doesn’t give us much to go on and the story of a hard-luck high school basketball coach bringing together a group of […]

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Modern Monsters

Reviews THE INVISIBLE MAN. When news filtered down that Universal Pictures had big plans to reach back into its rich history and recast itself as the home of the monsters, complete with an MCU-paralleling Dark Universe franchise, I got a little excited. I grew up checking out the Crestwood House monster books from the elementary […]

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Love and Disaster

Reviews THE PHOTOGRAPH. The story is based on love and romance, as its Feb. 14 release date might suggest, but The Photograph, written and directed by Stella Meghie, takes a typical love story and helps it grow into so many more meaningful ideas about love and relationships than just romance or lust. The film illustrates […]

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Squad Goals

Reviews HARLEY QUINN: BIRDS OF PREY. Gratitude is … a good thing, right? Of course it is. And we should probably count ourselves grateful. Because even as the facade of American democracy continues to crumble, as we trudge ever closer toward totalitarianism, destitution and disarray, as winter drags on and tyrants grow more empowered and […]

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Babes inthe Wood

Reviews GRETEL AND HANSEL. There is much to be mined in Western fairy tales but few are as adaptable to horror as Hansel and Gretel as set down by the Brothers Grimm in 1812, with the shunned children falling prey to a cannibalistic witch. In the end, Hansel’s cleverness only goes so far and it’s […]

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Tough Guy Act

Reviews THE GENTLEMEN. In case anybody was wondering, Guy Ritchie — when not occupied with middling, sometimes incomprehensibly conceived blockbusters (Sherlock Holmes and its sequel A Game of Shadows, 2009 and 2011; The Man from UNCLE, 2015; King Arthur: Legend of the Sword, 2017; Aladdin, 2019) — apparently still feels compelled to return to the […]

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The Virtues of Just Mercy

Reviews JUST MERCY. While Just Mercy, the latest from director and co-writer Destin Daniel Crettin (Short Term 12, 2013; The Glass Castle, 2017), adapting Bryan Stevenson’s memoir with Andrew Lanham, belongs in the Important column, it arrives without self-generated fanfare or grandstanding. It builds a case for its own significance with quietly confident style, heartfelt […]

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Diamonds in the Rough

Reviews UNCUT GEMS. New York City represents much of what is fascinating, romantic and terrible about the American experiment. At least to a soft, rural-raised Left Coast boy, the city is all teeth, knives and broken glass, scrutiny and anonymity at once — paranoia as landscape. And the brothers Safdie, Benny and Josh, have recently […]

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End of Empire

Reviews STAR WARS: THE RISE OF SKYWALKER. A friend recently referred to me as the Star Wars Grinch — for the sake of full transparency, he said it in a text and called me both a “gronch” and a grinch — which is earned and fair, if not entirely accurate. This was in response, after […]

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