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Fresh Blood

THE POPE’S EXORCIST. Most — nearly all — exorcism movies come off as nasty, pale hokum, and for good reason. The Exorcist (1973) towers over all of them, the alpha and the omega, a procedural examination that presents itself without cynicism and without any seeming agenda. It does the essential work of believing its own […]

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Sneaker Game

AIR. I went on at some length recently about the work of Ben Affleck (Director Affleck), particularly Argo (2012), both as pertains to Tetris and to the shifting focus of culture in the context of mainstream cinema. The logic therein was most likely fallacious and founded on false premises, but I can at least say […]

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Long Live Wick

JOHN WICK: CHAPTER 4. Having revealed that I had been to see this at one of the earliest available showings — with the Editor and an intermediary, but that’s another story — I was asked by a friend where I would rank it in the Wick canon. I replied without hesitation, that it is No. […]

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Thrown Back

SCREAM VI. The world’s infatuation with Scream (1996) kicked off just as I was entering a protracted contrarian period in my own cinema education. I hadn’t yet come to appreciate the craft and silliness of horror and teen movies were too easily enjoyable to possibly be of merit; I was insufferable. Because I live in […]

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Creed III’s Decision Victory

CREED III. With his directorial debut, Michael B. Jordan has made the subtly momentous decision to render this (presumably last) chapter in the Rocky saga as a statement: This is decidedly not a Rocky movie. Sure, Balboa’s shadow flits at the edges of things, he being the somewhat unwitting progenitor of the whole works. And, […]

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Almost Sweet/Scary Enough

SOMEBODY I USED TO KNOW. Yeah, I’ll watch a romantic comedy. As much as I may long for the unobtainable approval of the critical studies elite — simultaneously reveling in violent cinematic catharsis, celebrating genre trash and semi-privately thinking I really should watch more Akerman and Bergman — I’m a product of my environment. And […]

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Tripped Out

INFINITY POOL. Because Antiviral (2012) slipped past me — and, it seems, most of us — I became aware of Brandon Cronenberg on the release of his second feature Possessor (2020), which I still (shamefully) have not seen. Despite the suboptimal timing of that movie’s debut, it helped make the writer-director’s name (beyond its substantial […]

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Aftersun is All Grown Up

AFTERSUN. “Coming of age,” outmoded notion though it may be, continues to be an object of fascination, in art as in life. In order to contextualize transition and ostensible maturation, we continue to construct and promulgate myths, demarcate arbitrary boundaries and assign significance to moments of arrival. As time marches on, though, we (the species) […]

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