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Shock and Irish

In a fitting end to a discomfiting year, my holidays were canceled in lieu of a protracted illness absent even the minor satisfaction of a diagnosis, or that glorious, wished-for but likely apocryphal fatigue and rest we sometimes associate with influenza. No, this was an unrelenting, tasteless sapping of strength and enthusiasm that, as it […]

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Nosferatu‘s Rebirth

NOSFERATU. Steeped as we are in vampire lore, it can be challenging to sort the origins from the iterations, source from echo. It’s possible this is because the definitive, canonical material is exceedingly limited, vivid enough in its construction — close enough to the truth? Who am I to say? — and so arrestingly simple […]

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Deliberations

CONCLAVE. Having heretofore missed (or avoided) the latest from Edward Berger, a German director I had never heard of until his remake of All Quiet on the Western Front (2022) garnered massive critical and awards recognition, one might be inclined to pass over it all together. But then, in the spirit of the season, local […]

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Blitz Strikes its Mark

BLITZ. The screen acting of children, like their writing, can and often does transcend inexperience with immediacy and truth. Not yet calloused by influence, uninformed by professional habit or tricks or laziness, these performances lie closer to the surface than for most of their adult counterparts and can, given appropriate direction, create something realer and […]

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Anora‘s Elusive Beauty

ANORA. Occasionally, unexpectedly, a work of art — in its evocativeness and embrace of its medium — stymies critical reaction. That may be (partially) an excuse for lethargy due to other sectors of life; impending national and global crises could be a factor. But Anora is one of the most exciting, human, fully realized exercises […]

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Absolution Falls Short

On the eve of whatever is to come, I briefly struggled with the notion of dragging myself to another Robert Zemeckis experiment in “cutting-edge” technology paired with increasingly staid, conventional, didactic storytelling. In the case of Here, his latest, the conceit, as I understand it, is that the camera remains static through eons of time, […]

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An ’80s Horror Fest

Despite my whole “whatever it is,” I am not, in fact, immune to the spirit of the season. I don’t have a costume lined up, but there are voluminous bags of candy to be deployed, John Carpenter’s themes remain in heavy rotation on the turntable and I’ve been steadily making my way through a stack […]

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