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A Sharp Eye

MALIGNANT. I was a vocal detractor of James Wan before I knew his name, long before I would ever see a single frame of one of his movies. Saw (2004), his collaboration with Leigh Whannell that would spawn untold sequels, let alone copies, was the starting point of one of the most successful careers in […]

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Pop-Op Perfection?

ANNETTE. Received rapturously at the Cannes Film Festival — the standing ovation lasted long enough for Adam Driver to smoke a cigarette — this might fairly be interpreted as the long-overdue arrival of the Brothers Mael. That statement, of course, cannot be made, at least by me, without a few disclaimers/asterisks. First, and perhaps most […]

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Anti-heroic

THE SUICIDE SQUAD. It has been five years (sigh) since the misbegotten and now confusingly titled Suicide Squad bowed. At the time, I was hellbent on enjoying the thing, intermittently awestruck as I had been by the work of writer/director David Ayer. Good times meet sad ends, though, and as I lengthily enumerated in this […]

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The Wild Ride to F9

F9: THE FAST SAGA. The thrill isn’t gone, per se, but in having recently revisited the undeniable high-water mark of installments four through six — Fast & Furious (2009); Fast 5 (2011); Fast & Furious 6 (2013) — of this almost ridiculously long-lived franchise, this unlikely behemoth that was never really meant to survive, I […]

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Hybrid Hits

REVIEWS WEREWOLVES WITHIN. Surprise or not, I don’t know a whole helluva lot about video games. I’ve dabbled but that particular swath of popular culture is, by and large, foreign to me. So it brought on some trepidation when, before the title card was even revealed, Werewolves Within opened with a Ubisoft logo. (I know […]

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Behind the Music

SUMMER OF SOUL (… OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED). Intimates might wonder (fairly) at my desire to watch and ramble on about a concert movie. I’ve shared freely my general discomfort and occasional disappointment at the live music experience with those unfortunate enough to have to listen, for years beyond counting. It’s […]

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Retro Dread Redux

REVIEWS FALSE POSITIVE. To dispense with it at the outset: Yes, Rosemary’s Baby (1968) is part of the conversation. It has been for more than half a century. It arguably invented — or at least created a lasting identity for — mainstream American horror movies and, in so doing, created its own ripple-effect of sub-genres […]

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