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Risk and Reward in The Whale

THE WHALE. It is an easy, reductive, even dismissive temptation to qualify Darren Aronofsky’s work as “difficult” or “challenging.” Ambitious? Polarizing? Indubitably. But in referring to it as challenging, or academic, people generally seem to mean they don’t like it, or that it makes them think about things they’d rather not. (The irony of my […]

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Music Tonight: Friday, Jan. 13

Sons Of is a mini-indie supergroup, featuring Sam Prekop of The Sea and Cake (and also the ne phew of my dear late friend Jack Turner) and John McEntire from Tortoise. Both groups were groundbreaking in the ’90s and early aughts, due in no small part to the efforts of the aforementioned gentlemen. Come see […]

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Babylon Towers

BABYLON. As soon as we saw the trailer, my wife, who plays her cinephilia close to the vest most of the time, said, “I want to see that! It looks like a Coen brothers movie, doesn’t it?” When the time came to commit, though, she was less enthusiastic, (like most of the intended audience). This […]

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The Cutting Room Floor

THE FABELMANS. The elevator pitch would have us believe this is a movie about the magic of (watching and making) movies, a life dedicated to a calling and the simple conflict in a house divided by art versus pragmatism. It can be so defined, of course; Steven Spielberg does not generally go in for unkind […]

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Exit Strategies

DECISION TO LEAVE. Park Chan-Wook’s Oldboy (2003) lives on the not-so-short list of movies a listicle might reference as impossible to watch a second time. It is, as a relatively unflappable friend intoned years ago, devastating. But, like all of Park’s work, it also bears the marks of a master: While sometimes hideously violent and […]

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Badass Santa

VIOLENT NIGHT. I set out, it my usual, aimless, addle-pated way, to construct a themed column welcoming anew the season of Christmas and, of course, Christmas movies. We have before us Spirited, the Christmas Carol musical comedy directed by Sean Anders (one of the handful of credited writers and directors allowed to make mainstream comedies) […]

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Young and Hungry

ARMAGEDDON TIME. James Gray does not live in the popular consciousness the way many of our cinematic luminaries — themselves refugees from an ongoing extinction-level event — do. This is likely as much due to geographical bias within the industry as to Gray’s refusal to cater to the whims of that industry, transitory culture or, […]

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Food, Music and Corruption

There is a theme at work here, whether by pure happenstance or more ominous cosmic coincidence, that seems unlikely at first blush. But, in this disparate collection — a quasi-verité examination of investigative journalism, a darkly comic satire of celebrity cookery and an impossibly precise character piece rendered as waking-life ghost story — there lurk […]

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