The Bride! THE BRIDE! Conceptually, this seems very much like something I could get on board with: a mid-1930s Chicago-set, Mafia-tinged feminist update on the Frankenstein story, embellished with punk-rock attitude and curb-stomping? Yes, of course, who wouldn’t want that? And in the early going, it seemed like Maggie Gyllenhaal’s return to the director’s chair […]