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Civil War‘s Victory

CIVIL WAR. I would never call myself a science fiction head, as much for fear of reprisals from within the community as for the sake of accuracy. When the genre works, though, it can deliver vivid, exciting, not-so-thinly veiled commentary on the triumphs and tragedies of humanity as we have known it. Properly executed, it […]

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Hash of the Titans

GODZILLA X KONG: THE NEW EMPIRE. For a giant lizard, Godzilla has evolved. At this point, his multiverse timelines are overlapping, with reboots from Japan and the U.S. passing each other at the box office, Oscar-winning Godzilla Minus One finishing its acceptance speeches just as Godzilla X Kong: The New Empire hits theaters. The 1954 […]

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Devils and Do-Overs

LATE NIGHT WITH THE DEVIL. After a brief, pleasantly surprising period of infatuation with modern, low-budget horror, my enthusiasm precipitously — maybe inevitably — declined. But as it has been, so shall it ever be, and the “breakthrough,” every few decades or so, of a group of inspired, well-executed movies will typically be followed in […]

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Love Lies Bleeding‘s Genre Breakthrough

LOVE LIES BLEEDING. One might not have suspected there was room to develop new sub-genres within film noir, much less imagined that hyper-stylized, ultra-violent, Southwestern lesbian romance bodybuilding revenge noir could prove such a fertile and vibrant one. This lack of vision is forgivable, both because almost nobody could have foreseen this development and because […]

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Oscar Worthy

So as not to be accused of bad faith arguments, a disclosure: I did not watch the 2024 Academy Awards presentation ceremony. In fact, I don’t think I have watched the thing in over a decade. This year, I second-screened — I know modern things! — while I prepared meals and watched Cocktail (1988) on […]

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Women on the Run

DRIVE-AWAY DOLLS. With the dissolution of the artistic and commercial enterprise that was the Coen Brothers sometime in the beginning of the end of the world (2018-ish), one of the most innovative and imitated dynasties in American cinema came to its apparent end. And with it, perhaps, an epoch of satirical invention transcending form and […]

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Swan Dive

FEUD: CAPOTE VS. THE SWANS. Whoever said, “Hating someone is like drinking poison every day and expecting the other person to die,” clearly never saw The Princess Bride. Of course, there is a caustic burn going down, but a good low-stakes grudge can be energizing, feeding competition and giving focus to the day’s million scattered […]

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Not Valentine’s Day

Some might say I am not a romantic. I don’t think it a fair criticism, nor do I think it’s true. At the same time, though, I don’t intend to write anything here about Valentine’s Day movies. And even though I’m sure there is something in Lisa Frankenstein — a neon-tinged reanimation teen rom-com — […]

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Monsters of Our Own Making

POOR THINGS. Yorgos Lanthimos — born of the glorious, unholy, chimeric union of Luis Buñuel, Ken Russell and Terry Gilliam — has spent much of his storied career exploring parentage, innocence and humanity’s baser impulses through the bleak and delightful lens of his particular brand of absurdism. And now, having joined in a bizarre and […]

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