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Maine Stage

Almost, Maine, now on stage at Redwood Curtain, is a collection of love stories told in 10 scenes with two people in each, united only by the time and place: a winter night in a mythical, unincorporated town in rural northern Maine. Only a couple of the 19 characters recur in more than one scene […]

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Othello in Eureka

For those seeing their first production of Shakespeare’s Othello, North Coast Repertory Theatre in Eureka provides stylish and vivid entertainment as well as impressive individual moments and plenty of food for thought. But there are reasons that people return to this play (and other classics) even when they know the story of Othello the Moor, […]

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Stoppard’s Start

Celebrated for his erudition and wit, British playwright Tom Stoppard never went to college. Although he was admired for his stagecraft, his only experience in theatre was as a newspaper drama critic. His “overnight success,” Rosencrantz and Gildenstern Are Dead, took years before an Oxford student group did it in 1966. It nearly failed, until […]

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The Turquoise Ledge: A Memoir

If somehow this civilization survives much longer, I expect that Leslie Marmon Silko will be judged a major American writer — especially because in order to survive, it’s likely this civilization will need to pay attention to her perspective. While Ceremony, her first novel, is her most familiar (partly because its handy brevity makes it […]

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Xtra in Arcata

Under different circumstances, the four plays that HSU hosted during the mid-February Kennedy Center American College Theater Festival would be major theatrical events on the North Coast. This is especially true of Xtigone, a re-telling of the Antigone myth to address urban gun violence, by Chicago playwright and actor Nambi E. Kelley, presented here by […]

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Ribald Requiem

In the 1980s Amadeus — both play and movie — caused a sensation. When British playwright Peter Shaffer portrayed Wolfgang Amadeus Mozart in his 20s as an “obscene child,” and the forgotten composer Antonio Salieri as his murderer — either literally (in the movie) or figuratively (in the play) — many splashy media debates ensued. […]

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