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Apocalypse at the Movie-plex

FURIOSA: A MAD MAX SAGA. A friend — and greater cineaste than I — having very recently watched and enjoyed Furiosa, conveyed to me his abiding concerns for the future of cinema. And, if we are to trust the recent, ubiquitous reports of box office “failure,” his fears could be justified. But, as likewise pertains […]

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Youthful Escapades

Attentive readers will note the conspicuous omission of this weekend’s new releases from this column; fair enough and an explanation may be in order. First and most importantly, Sam Taylor-Johnson’s Amy Winehouse biopic Back to Black looks pretty bad. I hope I’m wrong and it is actually a delicately crafted, insightful examination of a troubled, […]

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Rocky Evolutions

KINGDOM OF THE PLANET OF THE APES. It’s been a while since the most recent installment in this, the ongoing pre-history of the Apes saga. That movie, War for the Planet of the Apes (2017), took us on a self-aware journey into the heart of darkness, complete with Woody Harrelson doing his best Colonel Kurtz. […]

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Team Efforts

THE MINISTRY OF UNGENTLEMANLY WARFARE. When they’re really cooking, Guy Ritchie movies can deliver a thrilling, funny, well-appointed (if slightly vapid) pastiche of Brit-crime in a heightened, mid-century American vein. That he has produced more (artistic) misses than hits is perhaps a function of over-productivity or the demands of a myopic market place. Fortunately, it’s […]

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Civil War‘s Victory

CIVIL WAR. I would never call myself a science fiction head, as much for fear of reprisals from within the community as for the sake of accuracy. When the genre works, though, it can deliver vivid, exciting, not-so-thinly veiled commentary on the triumphs and tragedies of humanity as we have known it. Properly executed, it […]

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Devils and Do-Overs

LATE NIGHT WITH THE DEVIL. After a brief, pleasantly surprising period of infatuation with modern, low-budget horror, my enthusiasm precipitously — maybe inevitably — declined. But as it has been, so shall it ever be, and the “breakthrough,” every few decades or so, of a group of inspired, well-executed movies will typically be followed in […]

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Love Lies Bleeding‘s Genre Breakthrough

LOVE LIES BLEEDING. One might not have suspected there was room to develop new sub-genres within film noir, much less imagined that hyper-stylized, ultra-violent, Southwestern lesbian romance bodybuilding revenge noir could prove such a fertile and vibrant one. This lack of vision is forgivable, both because almost nobody could have foreseen this development and because […]

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Oscar Worthy

So as not to be accused of bad faith arguments, a disclosure: I did not watch the 2024 Academy Awards presentation ceremony. In fact, I don’t think I have watched the thing in over a decade. This year, I second-screened — I know modern things! — while I prepared meals and watched Cocktail (1988) on […]

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Women on the Run

DRIVE-AWAY DOLLS. With the dissolution of the artistic and commercial enterprise that was the Coen Brothers sometime in the beginning of the end of the world (2018-ish), one of the most innovative and imitated dynasties in American cinema came to its apparent end. And with it, perhaps, an epoch of satirical invention transcending form and […]

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Not Valentine’s Day

Some might say I am not a romantic. I don’t think it a fair criticism, nor do I think it’s true. At the same time, though, I don’t intend to write anything here about Valentine’s Day movies. And even though I’m sure there is something in Lisa Frankenstein — a neon-tinged reanimation teen rom-com — […]

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