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‘Rosencrantz and Guildenstern’ Live Again

Classes consistently bludgeon young directors to simply tell the story of theater works — stick to themes, find rhythms, push characters’ objectives and explore consequences. Then you’re given a work like Rosencrantz and Guildenstern Are Dead by Tom Stoppard, forcing you to question or challenge those teachings. After all, theater, like life, doesn’t come with rule books […]

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