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October 6, 2005

by BOB
DORAN

I first met the Kouyate brothers,
Assane and Ousseynou, five years ago at Reggae
on the River. The twins, who came to the states from Africa as
part of Le Ballet National du Senegal, were the opening act on
a Sunday morning, dancing and singing with backing from a band
they assembled in the Bay Area that included Joan Baez' son Gabriel
on bass. As a surprise guest, Joan joined them onstage warbling
along with the brothers on a couple of tunes. The twins have
put together a series of typically ad hoc combos since then,
most of them, understandably, dominated by strong rhythm sections,
but the band that has been playing with them in Humboldt this
ye ar
is the best yet.
After settling in Arcata, Assane
brought together an all-star collection of local musicians forming
Djialy Kunda Kouyate: Tim Randles on keys, making
his synthesizer sound like a myriad of African instruments, Ken
Lawrence anchoring things with solid bass lines that mesh
with Pablo Rotter's drum kit. Malik adds ornaments
with his hand drums and the kora-like ngoni. Jimmy Foot
of Bongo Boy Studios has that ringing guitar sound down pat,
probably because he's been playing African-style for decades
starting with a band called the Rhyth-O-Matics. A recent addition
is Tcherno Diabate, a balafon player newly arrived from
Guinea.
Left: Assane and
Ousseynou Kouyate.
Photo by Bob Doran.
Saturday, Oct. 8, at the Bayside
Grange, Djialy Kunda Kouyate expands for African Night,
an evening of food, music and dancing preceded by an afternoon
workshop in West African dance, all presented by the local nonprofit,
Consortium for Education and Technology. Among the guest drummers
and dancers: Junior Kabba from Sierra Leone, Papys
Sissoho from Senegal, Amadou Camara and Karamba
Diabate from Guinea. The performance begins at 8 p.m., but
you may want to come at 6 for a West African dinner prepared
by Hermine and Guy-Alain Amoussou from Benin and
Ivory Coast including chicken, rice and a peanut sauce called
mafe served over plantains, washed down with bissap, a sweet
Hibiscus tea redolent of anise. Altogether it adds up to a full
dose of African culture and a whole lot of fun.
The flow of Americana music
continues unabated. As mentioned last week, the Fall Harvest
Festival runs through the week with Split Lip Rayfield
at noon Thursday on the HSU Quad. SLR plays new old-timey music
with some serious attitude and a sense of humor. The instrumentation
is perhaps unique with banjo, mando and guitar augmented by a
stand-up bass crafted from a gas tank. Among the tunes on their
most recent Bloodshot disc, Should Have Seen It Coming,
a mock sensitive tune called "Just Like A Gillian Welch
Song."
Thursday night at the Red Radish,
Humboldt Folklife presents Uncle Earl. How was it Jen
from Folklife described this all-woman band? Did she call them
"babes" or was it "hot chicks"? Since Jen's
a woman, she can get away with it. Gender aside, Uncle Earl is
a hot band playing what they call "old-time for our times."
The band came together in 1999 when mandolinist/guitarist KC
Groves and guitarist Jo Serrapere put out an old-timey
CD and decided to go on tour. That went well and they've done
a few more since, along with various solo side projects. The
g'Earl's latest, She Waits For Night, was produced by
Dirk Powell, who put on a truly fine Folklife show at the Radish
not long ago. That one sold out. This one might already be full,
but not to worry, Uncle Earl also plays for the Harvest Fest
Friday at noon, and that show is free. Added bonus, our own Lila
Nelson plays following U.E. starting around 1:30.
Later on Friday, Uncle Earl
bassist Sharon Gilchrist will be on the Van Duzer stage
playing mandolin as one-fourth of the Peter Rowan and Tony
Rice Quartet. Deadheads are familiar with Rowan from his
days alongside Garcia and Grisman in Old and In the Way, or from
Rowan-penned songs like "Panama Red." Rice is a newgrass
pioneer who played with Grisman in the early "dawg"
days. Rowan and Rice recently recorded an album for Rounder,
You Were There For Me, thus the road unit and a great
opportunity to hear some high-grade, high and lonesome picking
and singing.
Still to come at HSU, Gillian
Welch's show at the Van Duzer Monday, Oct. 10. (See Calendar
for more on that.) And a non-Americana show next Thursday in
the Kate Buchanan Room with Pogues-ish Irish punks, Flogging
Molly.
Back in the Americana vein,
an old-time banjo/guitar duo called Deadwood Revival is
down from the Olympic Peninsula for a series of local shows,
including an early gig at Six Rivers Friday (before Buddy
Reed plays blues), one on Saturday at Kelly O'Brian's (formerly
known as Rumours) and yet another next Friday, Oct. 14, at Muddy
Waters.
For bluesy Americana catch Delta
bluesman Don Haupt, who is back in town after moving north,
playing live in the KHUM studios Thursday, Oct. 6, at 1 p.m.
before a gig that night at Muddy Waters with the Dirt Nap
Band, then on his own Saturday, at Westhaven Center for the
Arts.
The Westhaven Center kicks off
its Jazz at the Woodside series Sunday Oct. 9, with Rhum
Boogie Jazz Quartet that's Susie Laraine and sax-wielding
friends playing jazz, classical tunes, rags and Bulgarian music.
Reggae? You've got it this week.
First, at Mario's Restaurant way down in Shelter Cove, an evening
with Jamaican rootsman Prezident Brown, which should pull
some people out of the hills.
The next night, Friday, Oct.
7, at the Mateel, it's Easy Star All Stars playing their
dub version of Pink Floyd's Dark Side of the Moon, plus
John Brown's Body, a fine reggae band from upstate New
York who recently signed with Easy Star Records. I caught the
Dub Side of the Moon show at Reggae a couple of years
back it was great. The show is a benefit for the Beginnings Volunteer
Fire Department; show up early for a gourmet dinner and support
the cause.
Then on Saturday, Oct. 8, at
Humboldt Brewery it's FreeSound, a Hawaiian band mixing
roots reggae with psychedelic rock. And next Wednesday, Oct.
8, at Mazzotti's, catch Pablo Moses, a politically conscious
Jamaican singer who released his first album, Revolutionary
Dreams, in 1975 yes-I, that's 30 years ago.
Playing Friday, Oct. 7, at Mazzotti's
a "shamanic rock" band called Kan'Nal, utilizing
"ancient instruments and futuristic technologies,"
whose concept, I'm told, "erupted in one abrupt, life-changing
flash" in the Guatemalan jungle.
Saturday, Oct. 8, Mazzotti's
goes alt.rock with a multifaceted bill including The Ian Fays,
The Buffy Swayze and Los Banditos Muertos.
Also in the alt.something category,
a couple of shows on Thursday, Oct. 6, courtesy of Michelle Cable
of Panache fame: At the Accident Gallery in Old Town it's an
all-ages thing with The Plot to Blow Up the Eiffel Tower,
a loud, fast, jazzy punk band whose screaming lead singer also
plays saxophone, along with Eureka Garbage Co. and new-on-the-scene
Do Not Resuscitate, aka DNR. Later that night at the Alibi,
it's loud, crazy rock from Fatal Flying Guillotines, who
typically perform in matching pink T-shirts, plus Canadian punk
rock from Million Dollar Marxists, barnstorming the USA
on their Black and Pink and Red All Over Tour.
My Way: A Musical Tribute to Frank Sinatra
opens Thursday, Oct. 13, at Ferndale Rep, and
plays weekends through the end of October, finishing
its run just in time for the next edition of Lost Coast Live
on Nov. 5. Heads up: I'm told LCL is a just few dozen seats short
of sold-out status. What is it? Who's playing? I'll explain next
week.
The semi-annual KHSU Music
Sale takes place Saturday morning at the Jambalaya, opening
at 10 a.m. for KHSU members and volunteers, then to the general,
non-member public at 11. The sale includes thousands of CDs plus
vinyl, cassettes, DVDs, T-shirts, posters, books, anything that
the station doesn't need anymore. There are endless CDs from
bands-you-never-heard-of (often for good reason) but also some
great stuff that's simply duplicated in the station collection,
and believe me, there are some real treasures to be unearthed.
Tempting? Not a member? You can still get in on the first wave
by buying a membership at the door. Support your local station.
It's important.
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