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December 1, 2005
by
BOB DORAN
The multi-culti band from
Los Angeles known as Ozomatli has come a long way since
they came together as a loose congregation 10 years ago. As bassist
Wil-Dog explained the first time I met the band, the band's roots
lie in a youth center he helped establish in downtown L.A. when
he was in the Calif. Conservation Corps. When Sacramento pulled
the center's funding and tried to pull the plug, those involved
morphed the space into something called the Peace and Justice
Center. A series of make-shift benefit jams to pay the rent brought
the initial Ozo line-up together, and with surprisingly few changes,
the band has been together ever since laying down a Latin-tinged
amalgam of hip hop, funk and rock that manages to please audiences
ranging from the Warped Tour to Reggae on the River.
Along the way they're recorded
four albums (not enough IMHO). The most recent came out just
last month: Live at the Fillmore, a lively CD/DVD package,
was recorded about a year ago at the fabled SF venue with material
spanning their decade-long career.
Buried in the extras on the
DVD is a clip from a visit to the studios of "world class
rock" station KFOG. A woman off-camera innocently asks about
the meaning of their name, and guitarist Raul Pacheco starts
to form an answer, but before he can explain about the Aztec
monkey god, trumpeter/vocalist Asdru Sierra quips, "It's
Van Halen backwards," and the whole band cracks up, at least
until the deejay asks, "Can you do another tune for us?"
Those who'd like to hear
another tune from Ozomatli should head for HSU's Kate Buchanan
Room Monday, Dec. 5, where they share the bill with the Salvador
Santana Band. According to Asdru, "Sal is an amazing
pianist with some extraordinary musicians in his band. I love
it when he gets up and spits some rhymes as well. Sometimes I
hear Miles Davis/On The Corner styles with some vocals
in the mix, or some of the old school Herbie Hancock and the
Headhunters sounds. Very spiritual sounding stuff."
It's not exactly a rent party;
in fact it's a celebration of four years of rabble rousing by
our own Redwood Peace and Justice Center aka RPJC. Come out to
the Bayside Grange Friday, Dec. 2, for an organic dinner
including, as the redoubtable Dave Meserve describes it, "wild,
line-caught Alaskan salmon." There's also the inevitable
silent auction for what I'm sure will be lots of groovy stuff,
and music: wild, line-caught gypsy jams by Absynth Quintet.
There are two benefits coming
up to help out Michelle Cable of Panache. Friday night
at Kelly O'Brien's it's a local indie extravaganza organized
by Chris Colland of Eureka Garbage Co. with his band plus
a new, improved, expanded The Buffy Swayze, homegrown
Irish punks The Smashed Glass (now including Monica from
K-SLUG), and those neo-psychedelic rockers The Great Salvation.
Be there!
Then on Sunday, Dec. 4, it's
a benefit at the Alibi with Israeli garage rock duo The
Mother's Anger plus Arcata's indie pop goddesses The Ian
Fays.
I talked with Michelle Tuesday
and she is doing really well, all things considered. She has
just three more weeks in her neck brace, but months of work to
get her back back in shape. She seemed almost overwhelmed by
all the help she has received: benefits all over the country
and PayPal donations from friends she didn't know she had. It
was clear it has really helped, both emotionally and financially
(her medical bills so far are over $100,000). In her typical
understated fashion, she says to tell everyone hi -- and thanks.
First my apologies to anyone
who missed modern troubadour Jim Page on KHUM Wednesday
because I told you he was in studio on Thursday, Dec. 1. That
is in fact the date for Page's show at the Red Radish;
he also sings at the Garberville Civic Club Friday, Dec. 2, a
benefit for KMUD preceded by the proverbial (organic) dinner.
Given that self-described "longtime admirer" Bonnie
Raitt sees Page as a singer, "in the tradition of Woody
Guthrie and Dylan," it's no surprise that the last time
Jim was in town it was with the Spirit of Woody Guthrie Tour
with Vince Herman and Rob Wasserman. What I remember most about
the unfortunately under-attended show was Page's update on Woody's
"This Land Is Your Land." He flipped the classic on
its head, bent it into "This Land Ain't Your Land,"
a reversal that built on the political bite of the original.
Blues? You got 'em. It doesn't
get much better than Sacramento's ace jump swing blues boys Little
Charlie and the Nightcats, who play Friday Dec. 2, at
Humboldt's roadhouse of the blues, the Riverwood Inn. Smooth-talking
frontman Rick Estrin and multi-faceted guitarist Little
Charlie Baty have been together for 30-some-odd years and
are now on album No. 9, appropriately titled, Nine Lives.
Meanwhile, Friday night in
NoHum, you've got Mojo Daddy out at Blue Lake Casino and
The Gypsy Band at Bear Creek.
Saturday, Buddy Reed
rips it up at Bear Creek, while Stevie Harris,
a guy from Oakland, plays his neo-blues at Sacred Grounds. Then
again, blues is just part of the formula for Harris who fronts
what he calls a "hard soul" band, playing music that
at times reminds me of Stevie Wonder and/or Prince.
Humboldt Hip Hop Community celebrates its first birthday Friday, Dec.
2, in HSU's Kate Buchanan Room with turntable sets by DJ's ADP
and Itchy Fingaz, raps by EQ, a rising star in
the underground, and a screening of Hooked: The Legend
of Demetrius "Hook" Mitchell, a cautionary
tale about a street-basketball star who wound up in prison instead
of the NBA.
And while we're talking hip
hop, Tuesday, Dec. 6, at Humboldt Brews it's the 4th annual MC
Battle Royale, pitting rapper vs. rapper, rhyme for rhyme,
and there's no panel of judges involved: The crowd makes the
ultimate choice. (Better bring your posse.)
Saturday Dec. 3, at the Westhaven
Center for the Arts it's Les Conversations Galantes - Intimate
Dialogues for Two Violins: Part II: "Around the Campfire,"
a program mixing stories from the cross-country Lewis and
Clarke Expedition told by Dan O'Gara and Carol
Larsen with music from the times played by violinists/fiddlers
Rob Diggins and Jolianne Von Einem.
The inspiration came from
the fact that fiddlers were included in the Lewis and Clarke
party according to Diggins, who explained that "the music
served as a tool for diplomacy," often entrancing the Native
American people they encountered. A musicologist researched the
period to come up with appropriate fiddle music. Diggins and
Von Einem drew from their classical background to find Baroque
tunes they think Thomas Jefferson, sponsor of the expedition,
might have played on his own violin at his Monticello home. "We
want to connect those two things. And even though they didn't
have a guitar on the expedition, I'm going to play guitar behind
Jolianne on some tunes," said Diggins. "Then we'll
have two fiddles, percussion, buffalo drums, things like that."
Tuesday, Dec. 6, catch the
first ever music/dance event from Mosaic Productions, a nonprofit
put together by the bellydancer known as Shoshanna. She's
bringing in Karim Nagi Mohammed, an Egyptian/Bostonian
musician/dancer/DJ from the faculty of the New England Conservatory
of Music, expert in Arabic, Turkish and Andalusian hand
percussion including the Egyptian tabla, riqq (tambourine) and
segat (brass castanets), for Turbo Tabla Tuesday at the
Common Ground Community Center in Arcata's Westwood Shopping
Center, with lessons in the use of finger cymbals followed by
an "Arabic Techno Dance Party" in which Karim dances
while playing some sort of electro-tabla-synth machine backed
by self-produced techno/hip hop tracks. Exotic or what?
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