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November 24, 2005

by
BOB DORAN

Above: Green Milk From
The Planet Orange guitarist dead k.
The latest wave in the Japanese
invasion of Humboldt County comes to the Alibi this Saturday,
Nov. 26, in the form of Green Milk From the Planet Orange,
a wild and crazy rock `n' roll band somewhat along the lines
of DMBQ (if that's possible). On their latest American release,
City Calls Revolution, GMFTPO spins out extended soundscapes
like "A Day in the Planet Orange," an epic journey
(over 39 minutes long) that slides from ambient to neo-prog into
dark metal and post-Hendrix rock. Headbangers, 20-something nihilists,
dreadlocked jambandites and aging hippies can all find something
to relate to along the way.
Perhaps you were wondering
what flavor is Green Milk? "The real," said "a
person who is called 'dead k,'" from Tokyo -- "the
concrete city!" -- when I sent the band an e-mail.
What is it you do? "I'm
making a song, playing my guitar and screaming in the band called
Green Milk From the Planet Orange," was his response.
Does your name, dead k, come
from the famous punk band Dead Kennedys? "No -- though I
like Dead Kennedys, k is my real name and I was into Death Metal
so much in my hi school age, and so my friends said to me, `You
are dead k!' But I think it's funny because it's a little existential."
Further discussion touched
on experiences on their last U.S. tour, in which the band "drove
through the fire in the mountain in California, and saw many
so dirty toilets, etc." The previous tour also brought them
to the Alibi. "We must say Arcata is the best hippie town!
We had a lot of fun meeting many good people there!" said
dead k, adding "C'mon to check us!"
Local alt.folkies Strix
Vega open. I've heard good things about them, and will finally
get to see them.
Incidentally, the GMFTPO
tour is one of several arranged by Michelle Cable. On Monday
I heard from Tom, manager for Blowfly (coming to Arcata
Dec. 12, on another Panache tour), who wrote from back East,
"I'm pleased to report that Michelle is well and about to
go home to SF," which means by the time you read this she
will be back in Cali. Welcome home, and get well soon!
Sunday, Nov. 27, at the Alibi,
catch The Circle Course, who describe their work as "folk
rock/punk/soul" and/or "four guys. eight instruments
(give or take). piss, vinegar, time, space." One of the
four is Stephen Kirkham, an early member of The Polyphonic
Spree. I dug the tunes posted on their myspace page (does every
indie band in the world have a myspace page?) especially the
folk-rocky "Sidewalk Chalk."
Choose from a tasty array
of post-Thanksgiving blues and soul shows starting Friday, Nov.
25, when Buddy Reed stomps, shouts and plays his guitar
at Six Rivers Brewery.
A note from reggae/blues/funk/soul
man Madi Simmons informs me that he is "still in
wedded bliss, and getting ready to wear my soul hat, with a band
called Soul Express," which is playing at Bear River
Casino "the Saturday after Thanksgiving." That's Madi
on vocals, Mike Kapitan on keys, Dan Perez on guitar,
Ken Lawrence on bass and Bill Moehnke on drums
-- all of them fine players who know the funk/soul/blues territory
well.
A note came last week from
Loreen at the Riverwood about a show down there Saturday night.
She had originally booked Jimi Jeff and the Gypsy Band
and was thrilled to learn that Earl Thomas has been singing
with them lately. She also sent along a couple of photos showing
what seem to be some seriously tough looking hombres (See Music
& More). I recognized Jimi and Earl, but not the third man,
so a wrote to Earl asking who the guy is and what music the band
is playing, adding, "Have you learned `All Along the Watchtower'?"
Earl wrote back to say that other guy is bass player Warlock
(Angelo, the drummer, was not at the photo shoot). "Some
of the tunes are, of course, my own, from Intersection
and Soul'd," he told me. "We do a cover of `LaGrange'
by ZZ Top, `If You Want Me To Stay' (Sly Stone) and an assortment
of good old-fashioned blues rock. I haven't learned `All Along
the Watchtower' yet ... but I'm going to." He concluded
by noting that it's not just a look: "We are some
seriously tough hombres."
Lots of good music at the
Blue Lake Casino in the coming week:
Friday and Saturday there's
blues by the Clint Warner Band; on Monday, Nov. 28, it's
The New Mastersounds, a four-piece New Orleans-style funk
band in the Meters mold led by British guitarist Eddie Roberts.
Then on Tuesday, Nov. 29,
Garaj Mahal is back in town, bringing along their latest
disc, Blueberry Cave. The all-star jazz fusion/funk/jam
line-up still includes Eric Levy on keys, Fareed Haque
on guitar and Kai Eckhardt and Alan Hertz laying
down the rhythm on bass and drums, respectively. I caught some
amazing shows by these guys five years ago when they were playing
Café Tomo as a brand new band. Like fine wine, they have
grown even better with time.
Things get stringy in the
lounge Wednesday, Nov. 30, where The Drew Emmitt Band
is joined by special guest guitarist Billy Nershi from
String Cheese Incident. Those who know their crazy Colorado bluegrass-jam-fusion
history will remember that Emmitt showed up in Boulder in the
mid-'80s and founded the something-grass outfit, The Left Hand
String Band, which eventually merged with Vince Herman's band,
Salmon Heads, to become Leftover Salmon. Since Leftover hung
up their instruments, various members have moved on to new endeavors.
Mando-man/multi-instrumentalist Emmitt reunited with Leftover
bassist Greg Garrison and brought in drummer Jeff Sipe
from Aquarium Rescue Unit and ace flatpicker Tyler Grant
to form The Drew Emmitt Band. You could catch them in Berkeley
the night before, where the tickets are $17.50 -- at the Steelhead
Lounge, admission is free, as are all of the BLC shows above.
You can also hear Emmitt
and company live on KHUM that day at 5 p.m., when the station
broadcasts the band's sound check from the casino.
The following day, Thursday,
Dec. 1, KHUM welcomes Seattle-based eco-minded singer/songwriter
Jim Page into their Ferndale studios at 1 p.m. for a little
preview of Page's show that night at the Red Radish. (Check back
for more on Mr. Page next week.)
For afternoon fun on Friday
and/or Saturday, Nov. 25 & 26, check out Craftsman's Days
at Blue Ox Millworks. I went to the event the last time it was
held, which was supposed to be the last time it was held at their
place at the foot of X St., since they were (theoretically, at
least) about to move. Well, the move is still on hold while they
look for just the right spot, so they're doing it one more time.
Experience the old time ways of blacksmithing, bookbinding, spinning,
boat building, etc. and enjoy storytelling, puppet shows and
old timey, folk and or cowboy music by Huckleberry Flint,
Wild Iris, The Tumbleweeds plus the barbershop
quartet Mirth First!, which counts Blue Ox founder Eric
Hollenbeck among its members. Proceeds go to Blue Ox's soon-to-come
low-power youth radio station, KKDS-FM.
A correction of sorts: I
stated in last week's Hum that I had "never heard Bishop
Norman Williams play saxophone." It turns out that is probably
not true. Former Jambalaya owner Joyce Hough reminds me (via
Ric, our mutual hair stylist) that poet/journalist/jazz lover
John Ross brought The Bishop to the Jam in 1975. I was a regular
at the club around that time, and I'm sure John would not have
let me miss the show. It made me feel a little bit less forgetful
when I reminded The Bishop he had played here. His response:
"Man, that was 30 years ago; how'm I supposed to remember
that?" Well put.
Hey, thanks for reading.
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