March 18, 2004
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On
the value of art
by LINDA MITCHELL
TEACH OIL PAINTING ONE NIGHT
A WEEK TO A handful of steadfast students, some who have been
attending the class since its inception three years ago. These
students all lead busy lives and none of them aspire to paint
professionally, yet every week they plunk down their hard-earned
money in order to push some pigment around on a canvas. Frankly,
I'm always a little surprised to see them. Why in the world do
they keep coming back?
I decided to come right out
and ask them, posing the following question: What do you value
so much about this art experience that you keep returning for
more of it, week after week, year after year?
"Well, there's the booze,"
joked Amy Stewart, referring to the wine supplied each week by
fellow student Jan Ostridge. "And the gossip. And sometimes
we get snacks -- quesadillas and the like."
Jan, a pragmatic physician's
assistant, said she needs the class as an antidote to
her highly stressful job at the County Health Department. "Art
is about transcending the human soul to a place of peace,"
she said, delighting us with her lyricism.
Amy, who makes her living as
a writer, agreed that painting provides a respite from her work
as well. "I like the non-verbal part of it. I spend way
too much time at the computer and this is totally different --
low-tech and visual and not the same kind of thinking and reasoning
I have to do the rest of the day."
She added that learning a new
skill pushes you in a new direction and works another part of
your brain. "To me, taking an art class is not about pure
expression -- it's about learning how to do something well, over
a long period of time."
Debbie Storre, a retired chemist
who now does some sort of technical work at the courthouse, said
she's learned to evaluate her own paintings, as well as the work
she sees in galleries and museums, with a more educated eye.
"I can look at art now and make intelligent observations!"
she said, practically glowing. "It gives me a real sense
of accomplishment."
The students all agreed that
studying art has taught them to see the natural world in a new
way, an observation echoed by many professional artists. I asked
local painter Jim McVicker for his thoughts on the subject. "Painting
is about seeing, about learning to look at life and nature,
about developing abstract ideas and transferring those ideas
to a canvas," he said. He added that art gives him a sense
of purpose. "I try to express my wonder and awe of life
and hopefully pass that on to others."
Now, Jim's comments really got
me to thinking. I hardly know where to begin, but I found the
idea of passing along the artist's unique expression of an idea,
emotion or observation particularly intriguing. Historically,
this is one of the most time-honored values associated with the
arts and, in fact, this function as a non-verbal communicative
tool between human beings may be one of its most important contributions.
We've all had the experience
of a seeing a piece of art, or hearing a stanza of music, or
reading a particularly eloquent line of prose that reached out
and grabbed us on a level of our being so deep and profound,
it brought tears to our eyes. Those experiences stay with us,
enriching our lives with an understanding of what it means to
be human, as well as inspiring our own creative endeavors.
The communicative power of the
arts can often bridge cultural and political differences as well,
reminding us of the things we share in common with people. This
is where the "value of art" topic gets really interesting,
where it reaches beyond the personal satisfaction gained by mastering
a new skill and addresses the role of the arts in society. The
best art can provide a cycle of communication between the artist
and future viewers long beyond the lifespan of the artist. When
we study ancient civilizations, it's the arts that inform us.
We learn about the past through what a culture creates -- the
visual arts, the literature, the architecture, the music.
I also liked Jim's comment about
"developing abstract ideas."
By their very nature, the arts
foster our ability to solve problems in original ways, and it
seems to me that now, more than ever, we need to encourage those
creative decision-making processes.
Like religion, science and politics,
the arts frequently get mired down in formulaic dogma, reinforced
by people too scared or lazy to think for themselves. We live
in an era of unprecedented visual bombardment, and probably 90
percent of it isn't worth looking at. Watch television for just
one evening if you don't believe me -- I mean, seriously, how
much creative inspiration does anyone get by seeing another human
being humiliate themselves by getting locked up with a million
tarantulas or eating worms for dinner?
Really good art goes beyond
mindless entertainment -- it's supposed to awaken the viewer's
eye, mind, spirit and sense of wonder. It should inspire us to
ponder the deeper, philosophical mysteries of the lives we lead
in this particular time and place, and open channels of communication
with the people we share the world with.
Obviously, the topic of what
the arts are worth to us individually and communally is one I
could talk about in greater depth, but I'm out of space, so I'll
end with a final thought. The arts mirror the cultures that produce
them, and as consumers in this particular culture we have the
ultimate power to decide what gets created. If we support art
and music and books that inspire us to think and feel and create,
maybe more of the same will follow. My students, I've decided,
who keep returning week after week to gain some understanding
of the creative process, are probably on the right track.
Linda Mitchell can be reached
via
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