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March 17, 2005
Halt!
Who goes where?
Nights of melodrama and
absurd comedy
by ELLIN BELTZ
A FEW WEEKS AGO MICHAEL FIELDS, ARTISTIC
DIRECTOR of Dell'Arte, introduced the dress rehearsal of Shadow
of Giants to an audience of barefoot, dreadlocked and patch-worked
treesitters. At the end he remarked, "If you hear any screaming
and wailing, it's just our students; they're studying melodrama."
His voice dropped slightly as he added, "We really don't
beat them." He smiled; the young audience just stared at
him. Then from the top tier of seats came a quiet reply, "Perhaps
not enough." The room erupted in laughter. As always there
was truth in humor -- you could tell from the twinkle in Field's
eyes.
I adore melodrama, and I'm guessing
you probably do too. Remember all those early movie serials like
The Perils of Pauline and Flash Gordon? That's
melodrama. Established characters -- heroes, villains, damsels
in distress and fools -- hack away at jealousy, honor, pride,
love and fear, all accompanied by music. In Ancient Greek "melo"
was the musical score for "drama" -- the racy, universal
stories of innocence, courage and sacrifice their playwrights
introduced to the world. Many among the ancients considered it
"women's theater." If so, it's now the dominant form
of amusement in the world if you count movies and television,
not just "serious theater."
Dell'Arte students study the
fine arts of communicating feelings and emotions preparing for
their annual evening of melodrama, this year titled Vices,
Virtues and Grand Emotions, and running Friday, March 18,
and Saturday, March 19, in the Carlo Theatre at 8 p.m.
If the show two years ago that
still rattles around in my head is any indication, it's an evening
you'll not soon forget. The percussion created by the actors
throughout that show was capped by a hot and steamy dance number
set to NIN's erotic audio poem "Closer," which I'd
heard but never listened to before they so magnificently brought
it to life. I can still close my eyes and see the act. It was
that good.
As always Dell'Arte-style student
melodrama is over-the-top adult physical theater for mature audiences
only. In Humboldt, not only does sex sell, it usually sells out.
So if you're over 18, don't miss getting a seat. Call 668-5663
or visit www.dellarte.com
for tickets and more information.
Next weekend, North Coast Repertory
Theatre opens "An Evening of Absurd Comedy" consisting
of two short pieces: The Wasp by Steve Martin and The
Bald Soprano by Eugene Ionesco.
Ionesco's play was one of the
first comedies in a whole new genre called "theater of the
absurd" that grew out of postwar hopelessness, alienation
and the realization that each person's life is essentially meaningless
on a global scale. Absurd theater provides a new form of myth-making,
at times it feels like an odd combination of Lewis Carroll and
Franz Kafka, but in the hands of skilled playwrights like Ionesco
and Martin, the genre produces interesting reflections on modern
life, love and communication.
The term "theater of the
absurd" comes from existentialist ideas proposed by Albert
Camus. In his 1942 essay, "The Myth of Sisyphus," he
argued that no one would ever really explain the universe, thus
everything, he suggested, was absurd and meaningless.
Absurd comedies often have dream
or fantasy themes; the real world being inexplicable -- so their
writers don't even try. Don't be put off by the technical terms.
See the show and decide for yourself.
Opening night, Friday, March
25, is cast and crew benefit night where every ticket sold is
all their financial compensation for the entire run until April
16. Evening shows begin at 8 p.m. in the newly painted and ventilated
NCRT, 300 Fifth St., Eureka. More information, reservations and
matinee details are on their Web site, www.ncrt.net,
or call 442-NCRT.
ELSEWHERE
Blue Lake School and Dell'Arte's
Youth Academy perform Shakespeare's Much Ado About Nothing
on Thursday, March 24, and Friday, March 25, 7:30 p.m. at the
Carlo Theatre in Blue Lake. Call 668-5663 or visit www.dellarte.com
for tickets to this benefit for the eighth-grade class graduation
trip.A FEW WEEKS AGO MICHAEL FIELDS, ARTISTIC DIRECTOR of Dell'Arte,
introduced the dress rehearsal of Shadow of Giants to
an audience of barefoot, dreadlocked and patch-worked treesitters.
At the end he remarked, "If you hear any screaming and wailing,
it's just our students; they're studying melodrama." His
voice dropped slightly as he added, "We really don't beat
them." He smiled; the young audience just stared at him.
Then from the top tier of seats came a quiet reply, "Perhaps
not enough." The room erupted in laughter. As always there
was truth in humor -- you could tell from the twinkle in Field's
eyes.
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