August 26, 2004
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Phantom
galleries
by LINDA MITCHELL
SIDEBAR: IN
MEMORIAM
NANCY FLEMMING [photo below] WAS
MAYOR IN SEPTEMBER OF 1994 when the Eureka City Council designated
the town's Main Street region a Cultural Arts Resource District.
"There was a border between Old Town -- the old `red light
district' -- and the rest of the city," Flemming said when
we met for coffee the other day. "Bringing them together
was obviously very important, and we thought one of the ways
to cross that border was to create an arts district."
This Cultural Arts designation
paved the way for a cornucopia of collaborations among local
artists, arts organizations and businesses. One of the most successful
of these was a partnership between the Humboldt Arts Council
and Eureka Main Street called "Phantom Galleries,"
a program that ultimately evolved into the current Arts Alive!
event.
"Sally [Arnot] brought
the Phantom Gallery idea back from somewhere she went, Arizona,
I think, but I'd seen it in Florida, too. The idea is to take
empty spaces, make them obviously more attractive by turning
them into temporary galleries, and before you know it, they're
all full," rented by people who turned them into shops or
other businesses, Flemming said. "What happened here was
that we ran out of spaces. It's a huge success story."
My studio was in Old Town at
the time, so I remember those Phantom Galleries well. They were
here one day and gone the next, popping up in empty storefronts
all over town and providing a tantalizing, if temporary, glimpse
of the largely hidden talent in our midst. The program lasted
for only a couple of years before it turned into Arts Alive!,
but I always thought those Phantom Galleries provided a perfect
metaphor for the temporary nature of so many of Eureka's art
sites. I look at today's venues and see ghosts of yesterdays.
There were different galleries
in town 10 years ago. Ann Pierson was running the Art Center
Gallery at Second & G; Paul and Tammy Callens had The Pink
Lady Gallery across from the Ingomar (later to become Gallerie
Rouge under Renee Russell); Atlee & Atlee, the first-rate
gallery owned by Mike Atlee that everyone wanted to be in, was
on Third Street, up by the Hotel Carter.
Ambiance Gallery was on Second
Street, where Humboldt's Finest is today, and the Humboldt Arts
Council was in transition -- moving from its longtime spot at
422 First St. (when the building was retrofitted) to a temporary
home on E Street, in the space Gallery Dog currently occupies.
While The Ink People and the
Old Town Art Gallery remain in their same locations, almost every
other art venue in Eureka has changed over the past 10 years.
There was no Morris Graves Museum
in '94, no First Street Gallery, no Piante, no Gallery Dog. Only
a few local businesses were exhibiting art, a phenomenon that
changed big-time with the kick-off of the official Arts Alive!
in 1996. Only 10 to 12 galleries and businesses participated
in that first event; today 75 to 80 venues typically open their
doors to the public on the first Saturday of the month.
The majority of these venues,
of course, aren't real art galleries. They're gift shops and
salons, coffee shops and clothing stores, pretty much any business
that has empty walls. Many of the business owners have a genuine
love of art; others just want to get in on the party. Communal
support for this lively and eclectic mix of voices and venues
is one reason Arts Alive! has become such a smashing success,
in spite of Eureka's shortage of galleries.
Yet the community remains in
dire need of more pure gallery space. Over the years, we've lost
as many art galleries as we've gained, particularly privately
owned ones. We've also been steadily losing work produced by
many of our best local artists to larger markets outside the
area, including San Francisco, New York, Santa Fe and Seattle.
I personally know many accomplished artists who got their start
here and would be happy to show locally again if more gallery
space and a stronger market for art were available.
Nancy Flemming agrees the gallery
situation is a problem. "We need galleries, and to have
galleries you have to create a market, and to create a market
you need galleries. It's a Catch-22 situation right now,"
she said. "Our arts community is really, really rich, but
needs so much more exposure. Part of helping galleries happen
is to make a fertile climate for that. Marketing is incredibly
important."
This was clearly a topic Flemming
had given some thought to. "We could have familiarity trips
with arts writers, gallery owners, museum directors, bring them
up here on Arts Alive! weekends," she said. "We should
be in the art magazines, in Town and Country, in interior
design magazines. I was shocked when I saw a national gallery
guide recently, and the inside cover was talking about the demise
of Morris Graves and the history of the artist, and we weren't
included in the listings. I was sick. Just sick."
According to Flemming, marketing
our Cultural Arts Resource District requires a collaborative
effort between the community and the city.
"The Arts and Culture Commission
could help make it happen," she said. "The same people
who created Arts Alive! could also create, and have the funding
for, the marketing campaign that must happen if we're
to continue to focus on the arts for destination tourism.
"One of the principles
I've always lived my life by is that `it doesn't have to be this
way.' You can always make it better," she added. "We're
very lucky here. This is an incredibly beautiful place inhabited
by talented and hard, hardworking people. You just can't beat
that. We've got everything in place to be incredibly successful.
Period."
IN
MEMORIAM
The art community is still reeling
from the news of the recent death of local artist and Ink People
co-founder Brenda Tuxford [photo
circa 1974]. Brenda died in her
sleep of an apparent heart attack on her 66th birthday. She was
in Amsterdam for her son's wedding, which, sadly, she didn't
get to attend. Our heartfelt condolences go out to Brenda's family
and her many, many friends in the community.
The Ink People will have a memorial
service for Brenda, to be announced at a later date. Sharon Bonino
is also organizing a retrospective exhibit of the artist's work
at AG Edwards (downtown on Fifth), to take place in October,
with an Arts Alive! opening.
I'll be working on an article about Brenda's life and her contribution
to our community, so if anyone has stories they'd like to share,
please e-mail me at [email protected], or write
to me in care of the Journal.
Linda Mitchell can be reached
via
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