Aug. 18, 2005
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Art
from MARZ
by KATHERINE ALMY
There were plenty
of balloons, computers, pretzels, cheese puffs and enthusiastic
teenagers crammed into the conference room at the Adorni Center
the other day, and plenty of computer-generated art on the walls.
The students of the MARZ project (MARZ stands for Magic Action
Reface Zone) were showing off what they had created over the
last six months. MARZ is a program of the Ink People funded by
the Community Technology Foundation of California (CTFC). At
a lab in the Ink People building, the kids work with cameras,
computers and art materials learning to shoot and edit video,
record music, make masks, work in PhotoShop and build websites.
That's some
pretty technical stuff, and the work produced is not bad considering
the students' backgrounds. They're all "juvenile de"
-- no you can't use that term these days. "Youth at risk"?
Uh, that's a pretty loaded term too. "Youth on the Fringe"
is what program coordinator and well-known local maskmaker Donvieve
came up with. I kind of like, "Kids who have gotten really
fed up with being abused/ignored/cheated/deprived and are trying
to say, in whatever way they can, `Hey, I'm a human being and
I need to be treated with some respect!!'" It's a bit wordy,
but I think it describes them pretty accurately.
[PICTURE
AT RIGHT: SELF PORTRAIT BY
BRANDON]
The program
has been evolving over the last couple of years and has really
been hitting its stride since the Inkers received the CTFC grant
six months ago. Not only were they able to buy a lot of the high-end
equipment required for video editing and digital recording, but
Donvieve and the other teachers have really gotten the hang of
working with the kids. It's not easy to get around the defensive
attitude these kids understandably come in with, and it took
some time figuring out what would work best for them. They finally
came up with an atmosphere of controlled chaos. A lot goes on,
the kids are free to follow their own interests, certain unavoidable
rules are laid down and gently but firmly enforced and, lo and
behold, some rather interesting art works are produced. Eileen
McGee, who works with the Public Access Channel and produces
KHSU's "Thursday Night Talk," teaches video production
to the kids. She says that the focus is on, "`What to be,'
not `what not to be.'" I'm sure this is a refreshing change
from what these kids usually hear.
But the story
is not all bright. The program is at a vulnerable point in its
existence: The CTFC grant has run out, leaving Donvieve and Libby
Maynard of the Ink People scrambling to come up with more funding.
The teachers are currently working on a volunteer basis, which
says a lot for their dedication and enthusiasm, but it will get
pretty difficult for them if funding is not found soon.
Finding funding
is a difficult task for any organization, and the arts are a
particularly hard sell. While there's a lot of consensus about
the importance of the arts, you still have to pull teeth to get
any money for them. A lot of people especially have trouble with
the idea of an arts program for kids who have gotten into trouble
with the law. Perhaps that's because we tend to think of the
arts as a reward, and being that our society is focused on punishment
(wrongly, in my humble opinion) we don't like to reward kids
for bad behavior.
I would like
to offer an alternative perspective. Supposing, for the sake
of argument, that the arts are not a reward. Supposing they are,
say, a basic human right. That's a bit radical, I know, but let's
just pretend for the moment that they are. If the schools are
constantly cutting them out of their curriculum, then many children
are being deprived of a basic human right. The MARZ kids certainly
have not had ready access to this most basic of needs. So they
get involved with a program that encourages them to speak their
minds, teaches them the skills to get their ideas out in a variety
of formats and gives them access to the tools they need to do
so.
While I have
no way of proving that the arts are a basic human right, these
kids sure act like people who have suddenly been given something
they've been desperately needing. They are focused and enthusiastic,
gobbling up all the information they can get from the teachers
and pouring out poetry, stories on video, music and digital self-portraits.
Heather Ault, who teaches website building, talks of the "small
successes" that develop confidence and lead to more and
more of the same. What they learn about computers will be helpful
to them in the future, but even more important is what they learn
about the process of facing a challenge and working through it.
I think of the
arts as a way for us humans to talk about the complex and confusing
experience of living our lives. We use the arts to tell our stories
and our history. By not teaching children the basics of creative
expression, we are effectively gagging them. By not talking to
them about the art that's been created throughout history, we
are blinding them, excluding them from the human story that is
their legacy. So what else can we expect but for them to act
out? Or, the alternative, become so depressed that they hurt
or destroy themselves (think about anorexia, drug addiction,
teenage suicide, etc.)?
We are not teaching
our children how to be human and we should not be surprised by
the results.
You can see
some of MARZ's work at www.inkpeople.org/marz.
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