Top Opera

Design, costumes and effects are equally top-notch, but in my view the principal reason that Blue Lake: The Opera transcends its occasion is the writing of Lauren Wilson, which includes the script (much of which is sung) and most notably the brilliant lyrics to the formal songs.

Also credited as the opera’s co-director, Lauren Wilson wrote Dell’Arte’s Golden State, and teaches acting and dramatic writing at the Dell’Arte International School. In a pre-production interview, she said her challenge for the opera was “to not have the magic and real power of theatre be destroyed by too much text,” especially in view of Dell’Arte’s practice of ensemble-created works.

Fair enough, but there are also benefits to starting with a script. My first forays into theatre were as playwright, so I admit my prejudice. But it seems to me that Wilson’s script provides a structure and a flow, plus words worth saying and singing, that enable participants in all elements of the production to do their best with confidence. Perhaps strengthened and expressed with new invention in rehearsal, a playwright’s vision in a fruitful script provides direction to improvisations and production, while also inspiring and liberating them. It also tends to make the resulting play more universal. For me, Blue Lake: The Opera proves that possibility.

In any case, this is a play worthy of attention here and now, and beyond. Blue Lake: The Opera concludes this weekend, July 1 through 3.

Also at Dell’Arte’s Mad River Festival: the adults-only Red Light in Blue Lakeon July 2, a circus show by Dell’Arte alums based in Italy called Klinke July 9-11, and Los Payasos Mendigos Rise Again July 15-18.

Coming up elsewhere: A one-weekend North Coast Rep production of David Mamet’s drama Oleanna with Alexandra Gellner and Gary Sommers, directed by Linnea Conway, on July 2 and 3 at 8 p.m. Redbud Theatre presents The Money Ball, a homegrown topical comedy by Brian Bottemiller, directed by Bruce Marrs. The play, set on a fictional golf course, is presented at Willow Creek Golf and Country Club at 8:30 p.m. on Saturdays and Sundays of three consecutive weekends beginning July 2.

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ONE Comments

Comment / By Bill Kowinski / July 1, 5:02 p.m.

I didn’t get much of my interview with playwright Lauren Wilson into this column, so I’ve posted some excerpts at my Stage Matters blog: stagematters.blogspot.com.

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