stage matters / By Emily Hobelmann

Bending Gender

HOMO EXPO: A Queer Theater Extravaganza

(Oct. 4, 2007)  This past Sunday was intended to be a very gay day for me. Unfortunately, Humboldt County’s annual Gay Pride festival and parade were pretty much rained out, so I lazed about on the couch for the morning. The cause was not lost, however, since I still made it over to the HSU campus for a full dress rehearsal of HOMO EXPO .

The brainchild of director Jean O’Hara, the play is actually a composite of monologues and a mini-play — hence the “expo” in the title. Rehearsal revealed a cast and crew composed of young, energetic and enthusiastic people. O’Hara, currently teaching the Theater of the Oppressed course at HSU, lead the supercharged group with determination, humor and encouragement.

Standing: Noe Tolentino and Traci Thomas Reclining: Marianne Candela, Greag Brown and Vannida Mel. Photo courtesy HSU Graphic Services.

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The non-traditional format begins with four monologues, broken into pieces. The actors come out in round-robin style so that the monologues are interwoven. The uniting theme is that of being gay and a minority (double-whammy).

The show opens with Greag Brown entering in a super-slinky dress, very attractive drag queen garb. He launches right into a sassy, sexy character, nailing his part by portraying attitude, poise and humor. Craig Hickman, a writer, performance poet, publisher, HIV prevention activist, educator and gay man of color, is the author of Brown’s piece, entitled “Skin and Ornaments.” We are afforded insight into being a gay, black drag queen.

Vannida Mel performs the monologue “Hello (Sex) Kitty: Mad Asian Bitch on Wheels.” The title says it all. Mel’s part addresses bisexuality, apparently a neglected issue in the queer community. Mel portrays Denise Uyehara, author of the monologue and “the world’s first Asian lesbian stand-up comedian.” The part starts as a funny rant, focusing on racism against queers.

Noe Tolentino performs the autobiographical monologue written by Alex Mapa, the gay Asian guy on the television show Desperate Housewives . Mapa is openly gay and active in both the LGBT and Asian American communities. Tolentino handles the beginning of the awkward, sensitive monologue well, addressing growing up in San Francisco, gay and with a Filipino family from the old school. Tolentino is adorable when he talks about the dynamic between his character (Mapa) and the character’s mom.

Rounding out the monologue selection, we have Traci Thomas performing “Butch is a Noun.” The piece is taken from the book of the same title, written by S. Bear Bergman, another self-proclaimed gender-jammer/performance artist. Here the gay and minority theme is rounded out with a look at being a gender norm violator and a Jew.

Traci Thomas discusses life as a butch lesbian, and the pronoun ambiguity that comes along with being of said orientation. The monologue addresses one’s option to be whatever gender one pleases, with a little work, of course. She may lack the fire of the other performers, but she still does a good job of emphasizing the existence of butch identities.

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