Recreational Dungeness Crab Season to Open Statewide Nov. 5
The recreational Dungeness crab season is scheduled to open statewide on Saturday, Nov. 5 — with a health warning in place for crabs caught north of Point Reyes (Marin County).
The California Department of Public Health (CDPH) has issued a warning to recreational anglers not to consume the viscera (internal organs) of Dungeness crab caught in coastal waters north of Point Reyes due to the sporadic detection of elevated levels of domoic acid in the viscera of Dungeness crabs caught off the northern California coast.
The health warning is effective for recreationally caught Dungeness crabs taken from state waters north of Latitude 38° 00' N. (near Point Reyes). CDPH believes that Dungeness crab meat is safe to consume, however, as a precaution, consumers are advised not to eat the viscera (also known as "butter" or "guts") of crabs. CDPH further recommends recreational anglers follow best preparation practices to ensure that they avoid any inadvertent exposure to domoic acid that might be sporadically found in some crab's viscera.
Domoic acid is a naturally occurring toxin related to a "bloom" of certain single-celled algae. Fish and shellfish are capable of accumulating elevated levels of domoic acid in their tissue, which can sicken people who eat them. Last fall and winter, domoic acid along the West Coast interrupted Dungeness and rock crab fisheries from Santa Barbara to the Oregon state line. This year, the California Department of Fish and Wildlife (CDFW) will continue to work with CDPH and the fishing community to collect crab samples from the northern California coast until the domoic acid levels have dissipated.
Consult the CDPH biotoxin information line at (800) 553-4133 or CDPH's Domoic Acid Health Information webpage for more information.
CDFW reminds crabbers of new regulations that became effective on Aug. 1, 2016. For a complete description of the regulations, please go to www.wildlife.ca.gov and click on "New Recreational Dungeness Crab Fishery Regulations" in the Announcements box.
COASTAL FLOOD ADVISORY REMAINS IN EFFECT UNTIL 3 PM THIS
* COASTAL FLOODING...HIGH ASTRONOMICAL TIDES WILL CAUSE MINOR
FLOODING IN LOW LYING AREAS ALONG THE REDWOOD COAST. THE WATER
LEVEL IS EXPECTED TO PEAK BETWEEN 8.5 AND 8.9 FEET MLLW AT THE
NORTH SPIT TIDE GAUGE.
* TIMING...HIGH TIDE IS AT 1:00 PM AT THE HUMBOLDT BAY NORTH
SPIT TIDE GAUGE. FLOODING MAY BEGIN AN HOUR BEFORE OR CONTINUE
FOR AN HOUR OR TWO AFTER HIGH TIDE.
* IMPACTS...LOW LYING AREAS WILL EXPERIENCE MINOR FLOODING
INCLUDING...BUT NOT LIMITED TO...ROADWAYS IN KING SALMON AND
THE ARCATA BOTTOMS.
The City of Arcata’s Humboldt Bay Trail North (HBTN) project was awarded a $550,000 grant from the California State Coastal Conservancy at a meeting held at the Wharfinger Building in Eureka on Thursday September 29.
This project will construct a multi-use trail from Samoa Boulevard through the Arcata Marsh and Wildlife Sanctuary and then integrate with the railroad and Highway 101 corridors along the shoreline of the bay to an endpoint north of Bracut Industrial Park.
The southern-end point will transition onto the shoulder of Highway 101 south of Bayside Cutoff, as a temporary condition until the remaining segment of the Humboldt Bay Trail is constructed.
The Coastal Conservancy’s grant provides the final funding needed to construct the northern three-mile section of the planned 13-mile long Humboldt Bay Trail which will be the backbone of Humboldt County’s envisioned regional trail system and will provide a safe, Class I, ADA-accessible trail between Humboldt County’s two largest cities.
The Trail is also part of the California Coastal Trail, a network of public trails for walkers, bikers, equestrians, wheelchair riders and others along the 1200-mile California coastline, which is currently more than half complete.
At the same meeting, the Conservancy adopted California Environmental Quality Act findings and a mitigation monitoring and reporting program for the project, important aspects of a construction project located close to Humboldt Bay.
The total construction cost for the HBTN project is $4.6 Million. Other funding for the HBTN comes from the Active Transportation Program and matching local funds.
The trail has long been firmly established by the local community as the region’s highest transportation priority. The County of Humboldt is leading the development of the Humboldt Bay Trail South segment, which will provide the interconnecting link between Arcata’s HBTN project and the City of Eureka’s Waterfront Trail.
Development of the Humboldt Bay Trail South project is still in the initial stages and a target construction date has not been determined.
WASHINGTON— Congressman Jared Huffman (D-San Rafael) today announced a $323,000 grant from the National Park Service and the Land and Water Conservation Fund to Eureka for ongoing work on a waterfront trail through a once-blighted area.
“This grant means that more Californians will be able to enjoy and appreciate Eureka’s special place on Humboldt Bay,” said Rep. Huffman. “Improving Eureka’s waterfront and creating trails and a clean place for the public to recreate around the Bay demonstrates the value of the Land and Water Conservation Fund in our communities.”
“Through the hard work of city staff and the Land and Water Conservation Fund Local Assistance Office, the former mill buildings can be removed and one of the most picturesque areas of Eureka’s waterfront can be opened up for our community to enjoy a wide variety of nature viewing and recreational opportunities,” said Eureka Mayor Frank Jager.
This grant will go toward the removal of four former mill buildings, which will be replaced by a new park featuring a multi-use trail, nature play area, as well as interpretive viewing platforms and benches adjacent to Humboldt Bay.
For more than 50 years, the National Park Service has provided grants through the LWCF. Its State & Local Assistance Program focuses on helping protect a "seamless system of parks" by providing matching grants for local and state parks outside of National Park boundaries, such as this grant to the City of Eureka.
Phase A of this project is expected to be completed in November.
Public Art Fund and Forest City Ratner Companies (FCRC) announce Spencer Finch: Lost Man Creek, an extraordinary new exhibition at MetroTech Commons that recreates, at a 1:100 scale, a 790-acre section of the Redwood National Park in California, one of the United States’ most treasured natural wonders.
In this living artwork, Brooklyn-based artist Spencer Finch scales down the topography and tree canopy of his selected section, with trees that range from 98 to 380 feet becoming 1 to 4 feet in the installation. Finch’s miniature forest for Downtown Brooklyn will live in the eastern triangular lawn of MetroTech Commons, with a footprint measuring 4,500 square feet, and will feature some 4,000 young Dawn Redwoods. Visitors will be able to experience the work from a viewing platform installed on one side of the work, as well as from ground level, offering different perspectives of the work. Spencer Finch: Lost Man Creek is free to the public and on view October 1, 2016 through May 13, 2018 at MetroTech Commons, Downtown Brooklyn.
“Lost Man Creek reflects Finch’s fascination with activating the imagination through observation of natural phenomena,” said Public Art Fund Director and Chief Curator Nicholas Baume. “For many years he has explored the ineffable qualities of our ever-changing natural world through wide-ranging mediums, but this is his first use of living trees.”
To realize Lost Man Creek, Finch collaborated with the Save the Redwoods League, which provided details like topographical and canopy height maps of a select section of the protected, inaccessible forest. Utilizing these resources, Finch created a vision of the site at a 1:100 scale for MetroTech Commons. The miniature forest will flourish with the help of a specific planting and irrigation system, designed to provide the trees with an optimum living environment within this urban context. When the exhibition closes, these trees will be rehoused.
“We are excited to team up with Public Art Fund for our 23rd year to bring beautiful art to
MetroTech Commons,” said Ashley Cotton, Executive Vice President at FCRC. “The work of Brooklyn-based artist Spencer Finch will be on display for a year and a half, longer than any past installation that we have done with Public Art Fund, giving visitors an opportunity to fully engage with one of the world’s most renowned forests through the eyes of one of Brooklyn’s most highly regarded artists”.
At the core of Finch's practice is an ongoing investigation into the nature of light, color, memory, and perception. The artist is known for transforming his own observations of a particular time
or place into various media from painting, drawing, and photography to installation. Lost Man
Creek references the fleeting and the temporal elements inherent in all areas of life, with the
artist mining the observed world to create a poetic installation that speaks to a shared existence.
Among previous projects are A Certain Slant of Light (2014-15), a large-scale installation at The
Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To
Remember the Color of the Sky on That September Morning (2014), composed of 2,983
individual watercolors representing the artist’s recollection of the sky on September 11, 2001;
There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest
sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100
panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The
River That Flows Both Ways (2009), a permanent installation composed of an existing series of
windows transformed with 700 individual panes of glass representing the water conditions on
the Hudson River over 700 minutes in a single day.
“Through both a scientific approach to gathering data—including precise measurements and
record keeping—and a poetic sensibility, Finch’s works often inhabit the area between objective investigations of science and the subjectivity of lived experience,” said Associate Curator Emma Enderby, who organized the exhibition. “In a world where climate change is at the core of societal debates, Finch’s installation in the heart of one of the most urbanized neighborhoods
of the city presents us with the universal reality of nature’s power to awe and inspire, and the
importance to remember and protect such wonders.”
In conjunction with the exhibition, Spencer Finch will give a Public Art Fund Talk at
The New School on November 16 where he will focus on his various public and large-scale installations.
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