Sometimes things fall through the cracks in our event listing system, an e-mail is overlooked or gets incorrectly diverted by the junk mail filter. Here's the p.r. for a very cool show tomorrow night (Monday) that I discovered this morning after hearing about it from a friend:
What: Humboldt Folklife Society presents Russ Barenberg and Bryan Sutton
When: 8 pm, Monday, October 20th
Where: The Arcata Playhouse
On Monday, October 20th, the Humboldt Folklife Society brings two fabulous flatpicking guitarists - Bryan Sutton and Russ Barenberg - to the Arcata Playhouse. If you enjoy neatly crafted tunes and phenomenal talent, this is a golden opportunity to see two first rate players in person. The show starts at 8 pm, with doors at 7:30 pm. Admission is $20 general, $18 HFS members. Tickets are available at Wildwood Music and The Works, and at the door.
Russ Barenberg started his professional career in 1970 with Country Cooking, and has since played with a variety of stellar musicians, including a trio with dobro great Jerry Douglas and bassist Edgar Meyer. That trio issued the 1993 album "Skip, Hop, and Wobble"; a classic blend of their styles, and a testament to the creativity each holds with their respective instruments. Russ was nominated for a Grammy in 2008 for "Little Monk" off his When at Last release. Other career highlights include recording for Ken Burns' movies as seen on PBS, including "The Civil War" series, "Huey Long," and others.
After moving to Boston in 1979, Barenberg joined Glaser and fiddler/mandolinist Jay Ungar in the triple-fiddle band Fiddle Fever, recording two albums with the group. While in Boston, Barenberg was also active in the vibrant contradance scene, playing frequently for dances, and a number of Barenberg's own tunes have since become popular standards in the contradance repertoire.
Barenberg moved to Nashville in 1986 and has become a mainstay of the recording scene there. He accompanied Irish singer Maura O'Connell for several years, and worked with Jerry Douglas, Darol Anger and Snuffy Walden to create the soundtrack for Homecoming with Anne Bancroft. He continues to be involved in The Transatlantic Sessions, a series of television shows produced in Scotland that bring together top acoustic musicians from the British Isles and United States for collaborative performances. His latest album, When at Last, received a 2008 GRAMMY nomination for Best Country Instrumental Performance, and a nomination for the International Bluegrass Music Association (IBMA) Instrumental Album of the Year.
Few guitarists so perfectly blend a mastery of roots music traditions with melodic originality, or so finely balance muscularity with delicacy. Each moment of his new album is shaped by these artistic dualities, and by Barenberg's newfound energy and re-dedication to making music central to his life. "I'm at a point in my life now where I really appreciate what a gift it is to be a musician," Russ Barenberg says with a smile, "and I'm ready to embrace whatever's involved in doing it for a living. It's just a great time for me."
Bryan Sutton is one of the most in-demand session players in bluegrass and country music today. He has toured and recorded with Ricky Skaggs, Bela Fleck, Earl Scruggs, the Dixie Chicks, Dolly Parton, the Chieftains, Randy Travis, and Jerry Douglas. Sutton has earned 3 Grammy awards, as well as being a 5 time IBMA Guitar Player of the Year, and credits Doc Watson, Tony Rice, and Norman Blake as his influences.
Though it features some of the most iconic bluegrass guitarists in history (including Tony Rice, Doc Watson, Earl Scruggs and David Grier), Sutton's new cd, Not Too Far from the Tree, is a tribute to the kind of personal, spontaneous music making that often happens when guitarists get together to jam informally. "I wanted to get out of the studios, out of the sterility of standard record making," he says "and capture as much of the music on my own as possible, so I decided to go to people's homes."
Sutton first conceived of his new album of guitar duets "in a car on the way back from a trip," he says. "I was thinking about all these guys that had influenced me and that some of them weren't going to be around forever. I was thinking about records like Mark O'Connor's record of fiddle heroes and Jerry Douglas' record with all the Dobro players. And I got this idea of recording with these guys that were my heroes and also good buddies and advice-givers -- people that have helped me in my career as a player. I felt like it was something I could do, and I felt honored to be in a position to be able to call everybody up and ask if they wanted to record."
"I really like the musical conversation that goes on in a duet... In a duo, you have the freedom to go as far as each person is willing to go. You have this great possibility to get one sound, one voice. The guitar has such a wide tonal range that in a good duet situation you don't miss anything, you don't want for bass or the mandolin chop or anything. You've got plenty of sustain and rhythm, all that stuff. When you get a trio, suddenly you have different roles to play. And in a band everybody has their specific part to do at any given moment. But with a duet you can constantly change dynamics and it's completely free."
Arcata Playhouse is a community arts center dedicated to bringing live performance to the Humboldt region, and is located at 1251 9th street in the Old Creamery Building in Arcata. For more information on the show, visit www.humboldtfolklife.org or call 822-5394.
This just in from the folks at KHUM:
Chas Lewis, host of " The South Side " on 104.7/ 104.3 KHUM has been named ‘DJ of the Month’ by the Roots Music Report , which features radio airplay charts from over 300 radio stations worldwide. Lewis said, "Since the program went on the air, I've been posting weekly playlists on the show website ( www.thesouthside.org ) as a service to listeners, and then started submitting playlists to the Roots Music Report a couple years ago. I'm in good company there along with plenty of well-known national and international shows."
Chas established the show in 2001, playing an energetic and satisfying mix of classic and modern Blues, along with some Rhythm and Blues and Soul music. "Being a part of the Roots Music Report database means that KHUM receives new releases from lots of independent artists we wouldn't get otherwise. Hosting "The South Side" is a labor of love and is really about sharing this great music with listeners, but it's always nice to get some peer recognition," Lewis says.
You can listen to "The South Side" Friday nights from 7 to 10 p.m. on 104.7/104.3 KHUM or streaming from the KHUM website at www.khum.com .
Just a couple of follow-up thoughts on the Times-Standard's major scoopage this morning on the sale of Evergreen Pulp ...
Here's the disclosure form (.pdf) on the sale from the Hong Kong stock exchange. Note the payment schedule. Someone's getting what seems like a pretty handsome deal. They're putting about $2.5 million US down, then paying ~$4 million in six quarterly installments beginning at the end of the year, for a total of about $28.7 million.
And what is that buying, exactly? The purchaser isn't buying the mill itself. It's buying two Lee & Man subsidiaries -- USLM Acquisition, Inc. and HKLM Acquisition, Inc. (One would guess they stand for "U.S. Lee & Man" and "Hong Kong Lee & Man.") What other assets do those subsidiaries own? We don't know at this point, but they are headquartered in Colorado, not here.
More to come, for sure. But don't miss the T-S's excellent write-up this morning on the mill's general economic problems, which have spun out to its suppliers over recent months.
Edit: *Critical Race Gender & Sexuality Studies* :)
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