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October 13, 2005
by BOB
DORAN
There's
power in the words and power in the delivery of the set of songs
Joanne Rand wrote for her new CD, Where Our Power Lies.
Calling from her home near Orleans, Joanne explained that she
sees her "anthems of grassroots power and personal transformation,"
as, "a gift of this place: the confluence of the Klamath
and the Salmon" she has called home since 2002.
Joanne's songs have always touched
on issues of the day; this time she talks world politics (in
"Newspaper Song") and eco-activism (note to the Times-Standard
reviewer, "Remedy `03" is not about Julia Butterfly,
it's about Jen "Remedy" Card), but this time out she's
more interested in the big picture, touching on spiritual issues
in "Vault of Heaven" and the opening track, "Looking
Up" (with guitarist Steve Kimock sitting in as a special
guest). The imagery ranges from post-Christian to pre-Christian
with mention of the Goddess, but she manages to avoid sounding
too New Agey.
"I'm not really a New Age
type," she tells me, "but I'd say I channel my feelings,
channel the energy that comes from some other place. People recognize
that, it reminds them of a source that's beyond themselves. It
reminds them of deep feeling: They cry and laugh and dance..."
My personal favorite is a song
she calls "Best Thing" about waiting until late in
life to pursue marriage and motherhood. "Sometimes the best
things come after a lifetime of waiting," she sings, in
a message that could refer to her husband Greg, or to her six-year-old
daughter, Georgia, or both.
Incidentally, with Georgia in
school, Joanne and company have been splitting their time between
Arcata and Orleans, so we may see more of them. Joanne Rand
and her band, the Rhythm of the Open Hearts play on Saturday,
Oct. 15, at The Red Radish, celebrating the new CD --- and, knowing
Joanne, life in general. Join them, and come prepared to laugh,
cry and dance.
Those who neglected to get tickets
to Thursday's sold-out show by Flogging Molly can hear
something along the same lines --- loud, wild, Irish punk --- at the
Alibi Saturday Oct. 15, where The Smashed Glass shares
the bill with mutant blue/nu-grassers, Slewfoot Stringband.
For more traditional bluegrass
stop by Humboldt Brews this Thursday for the monthly Compost
Mountain Boys show, or see CMB on the Plaza Saturday morning
where they play for the Farmers' Market.
The Rubberneckers are back in action this weekend playing at Six
Rivers Friday with their buddies Que La Chinga (whose
new CD finally came in) and that new something-grass band Bucky
Walters. The `Neckers then play Saturday at Muddy's with
Huckleberry Flint, an unlikely combination, since Huck
Flint's gospel bluegrass tends toward sweetness and light, as
evidenced by the fact that they play Sunday morning for the Bayside
Grange breakfast. I'm not saying that the bad boys from Blue
Lake embrace the dark side, but they are known for getting a
tad rowdy at times.
Don't be surprised if you don't
see the usual crew on hand at Muddy's Saturday night. B. Loose
and company are also involved in Inferknow's Fire Fall,
an all-nighter in the hills featuring DJ dance music from Moontribe
and Deep Groove and live bands like Moo-Got-2,
Dukes of Ted and The Samba Troupe, plus fire spinners
and a fiery exhibition by Scotty the Maniacal Pyro. Stop
by Muddy's or the Metro for tickets and details.
And back in the bluegrass vein
we have Colorado-based Victor Barnes returning to Muddy
Waters Wednesday, Oct. 19. Calling what they do "insurgent
bluegrass," V.B. deviates from tradition by adding drums
and keys and playing covers of Motown tunes and the like.
The folks behind the 39th annual
Humboldt International Short Film Festival offer a multimedia
blast Friday, Oct. 14, in HSU's Kate Buchanan Room. Jam Fest
combines bands on the funky jammish side, Moo-Got-2, Ground
Control and Delectable, with a moving image jam session
with Christa Dickman merging on-the-fly digital editing
of her imagery with clips from indie films. As fest organizer
Mary Cruse put it, "There will be a lot of media stimulation."
Get your dancing shoes ready;
The Delta Nationals are playing Six Rivers Saturday. "It
will be the place to go, whether you're feeling high or low,
and especially if you don't know," said D. N. drummer Paul
DeMark.
Elsewhere Saturday evening,
at Sacred Grounds to be exact, Karuk bluesman Julian Lang
sings of "life, death and everything in between," accompanied
by guitarist Ike McCovey and The Native Honeys.
At Mazzotti's Saturday, it's
Sound of Urchin, a loud, heavy, funny rock band from New
York City who ask if you are ready to have "your minds,
hearts, ears and asses blown apart."
Meanwhile at the Eureka Muni
it's hard-edged hip hop out of Vallejo with E-40 and
his Sic-Wid-It Record family, The Click. While E-40
has never hit it big, he's been quite influential, in particular
for lingo innovation including popularizing the addition of"-izzle"
or "-eezy" to the ends of words, as adopted by Snoop
Dogg and others.
You'll hear none of that talkizzle
at The Beer and Peanuts Show at Fortuna's River
Lodge where they offer harmonious family entertainment featuring
the Humboldt Harmonaires Barbershop Chorus.
As promised last week, here's
a bit more on Lost Coast Live, returning Nov. 5. OK, so
who's playing? I don't know. And that's part of the answer to
the second question: What it is? The bimonthly concert at the
Ferndale Rep Theatre showcases musicians you've never heard of
in what is called by organizers a "music discovery"
series.
It's an interesting concept.
A pair of unidentified "unknown" singer/songwriters
plays to an audience who have probably not heard their music
before --- not played by them anyway. As Mac McAnally, one of the
s/s-ers put it, it's a "musical blind date," albeit
one held in a setting reminiscent of a glossy music magazine,
complete with pre-recorded video artist interviews shown on a
giant screen with a gilded frame, the central element of LCL's
velvet-draped set.
While you probably do not recognize
McAnally's name or those of the others featured so far, they
are not struggling musicians looking for a break. In fact they
are more or less industry insiders. For example, Tony Simms,
from July's show, won a Grammy for "Song of the Year"
for "Change the World," as recorded by Eric Clapton.
September's show brought McAnally, who tours with and produces
for Jimmy Buffet, and Philly-based songwriter Phil Roy, whose
tenure in Los Angeles found him placing his music in major motion
pictures like Leaving Las Vegas and As Good As It Gets,
and writing songs recorded by artists including Mavis Staples
and the Neville Brothers.
Both McAnally and Roy were engaging
performers presenting solid sets of straight-from-the-heart songs
in the AAA style (that's radio lingo for Adult Alternative Artist),
and while it was almost too straight-down-the-middle for my taste
(even though I'm in the baby boomer age group that made up the
bulk of the LCL crowd), I enjoyed the songs and the experience.
Did I mention that the whole
thing is a benefit? All ticket money goes to the Ferndale Rep
or Ferndale Community Chest, and I mean all of it. Concert production
expenses are covered by the largesse of Jon Phelps, a part-time
Ferndale resident who runs several businesses, among them DC3
Records and Full Sail Real World Education, a tech school in
Florida where one can learn music and film recording, concert
production and computer game design.
Speaking of benefits, a last-minute
note from the Mateel informs me that next Thursday's Community
Jam has been turned into a Katrina benefit with scheduled
SoHum rockers Night Hawk and Black Sand joined
by the kick-ass Mardi Gras Indian band The Wild Magnolias,
plus a Southern dinner and a movie on New Orleans' Mardi Gras
culture. Admission is free, but "donations to the cause
are strongly encouraged."
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